Tag Archives: The Faceless

Godeater- Outerstellar- E.P. review 9.3/10 \m/

Godeater

Outerstellar

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Released: May 31st, 2017

Godeater line up:

Josh Graham – Vocals

Ross Beagan – Guitar, engineering, composing

Andrew Macdonald – Guitar

Will Keogh – Bass

Allan MacDonald – Drums, engineering

The EP begins with an ominous build up. A drum fill begins the music in “The Silent Prophecy” and takes us into the high paced and catchy riffage with powerful and heavy vocals. Not too brutal, but deep for sure. They beat us apart for the first fifty seconds until we get our first taste of real melody, (besides the touches used in the riffing). Then really nice soaring lead. We get brought back into the catchy fast paced riffage. About a third of the way through the song we get some more really nice melodic touches over the riffs. The vocals seem to go along with the music really well. As this lead part with vocals ends, we get somewhat of an interlude like section, that is spacey and ambient. Slowly they build back up starting with the bass and then a pick scrape into the slower heavy riff. This section is quite dark. It feels brooding, and it flows into the next, brief faster section really well. As that section ends we get another interlude section similar to the one in the middle of the song but it begins with an acoustic guitar. It is a nice way to end the song and also flows perfectly into track 2.

“Ethereal Majesty” begins with an almost white noise building up type ambiance with some more sounds that really remind me of Nomatic era Fallujah. Just after a minute they begin this riffage. It also begins brooding and slower, there is a doomy vibe almost. The vocals are killer and heavy as fuck here, then a nice pause into a sick good paced riff. The drums are constantly switching it up and really keep this section’s pulse. They briefly pause and transition with what sounds like some sitar and go into a slammy riff/ tremolo back and forth riff and the drums continue to switch it up and keep us on our toes. They slightly simplify it near the middle, but not for the worse, its pretty groovy and catchy, right before they pick it up to full force briefly again. This is indeed brief as they fade down to a drawn out chordy part with a really lovely lead, into an almost blackened chordy part with equally almost blackened vocals into – WOAH –  definitely a breakdown. They just morphe so many genres and totally killed it. The breakdown does do the classic ‘more dirty’ part and then they nicely flow into a prefectly head bobbing riff to end the song. They slow it ever so naturally and open fade into the last song ending perfectly.
The Nebulon Abhorrency” begins a lot sooner than the others. The open fade soon brings some synth and eerie screams. They make us know some change is coming and begin the high paced and catchy verses. There is some sick melodic double picking riffage going on! I absolutely love it. This song seems to have the most notable synth though it is in every song. This one has almost synth leads at times. After one synth lead part over a cool riff we have a sweet groove! They then slowly let it breath with more synth and then totally melt our faces with fast technical ridding and powerful in your face vocals. The drums have some wicked blasts and are coming at a good pace with the blasts and thrash beats. There is also some really killer guitar fills in that section. They then slow it down to a more doomy vibe once more before the end. Fast double kick and powerful slow riffing which fades into synth that takes us to a close.

Godeater has made a strong impact with these three songs. They are catchy and well structured and have enjoyable production. I can tell there is room to grow but I have no quarrels with this EP whatsoever.

For fans of Fallujah, Bleak Flesh, The Odious Construct, TETHYS, Vale of Pnath

9.3/10 \m/

LINKS:

CLICK THEM \m/
https://www.facebook.com/godeateruk
https://godeateruk.bandcamp.com/album/outerstellar  

 

 -Brett /,,/(°o°)/,,/
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Parius- Let There Be Light E.P. 8/10 \m/

Parius

Let There Be Light E.P.

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Out today January 17, 2017

Louis Thierry // Vocals
Ryan Rauch // Guitar
George Fenton // Guitar
Kenny Rentz // Bass

 

Parius are at it again this time with a brilliant four track E.P. featuring Ryan Knight of Black Dahlia Murder fame, and Michael Keene from The Faceless. So without getting too carried away from those guest spots let’s check this E.P. out.  First off this E.P. drops today so it’s available on Parius’s Bandcamp page .

 

 

  • Let There Be Light (Feat. Ryan Knight)

The song begins with a slow melodic acoustic guitar melody being played alongside a violin played by Michaela Nachtigall. They rock that melodic introduction for just shy of forty seconds before they come in fast and hard. Now I want to point one thing out that they didn’t have on their last album. And that comes around the 1:20 mark in the form of mildly clean vocals.  I mean they aren’t your normal caliber of clean vocals, they are layered and it sounds like are more than just Louis doing vocals at this point. I actually like them, it’s not like they are trying to get the points for clean vocals here.  They aren’t trying to sound like All That Remains with Phil’s over the top use of clean vocals. No they are orchestrated in a way that gives the song another element altogether. Not to mention they do it again a few times throughout the song and I can’t shake the fact that I really enjoy those clean sections.  I am digging the drums on this track, and let’s not forget the solo at the 3:07 mark that is a short and sweet shredding solo that fits the Ryan Knight format.  If this is how they kick off the E.P. with a solid track like this one. Than I am eager to listen to the rest.

 

  • A Shade Darker Than Black

A quick 1.2.3.4 and then some growling vocals kick this song off, while the vocals are being carried out the guitars are ripping it up the riffs with ferocity.  It’s like they took the intensity level of the previous track, and then decided they were going to make something heavier. Because this track has gone to a darker area of bar raising. I’m a big fan on Louis’s vocals, there is literally no weak point in them. For all his ranges it’s like he gives it to you 100% all or nothing, and I find his vocal style to be quite enjoyable. The guitar work on this song is impressive, but then again so are the drums. I know they parted ways with Ian, so I am not sure if he is who plays on this E.P. whether one of the guys played, or the drums are programmed its hard to tell, but at any rate the drums sound awesome.

 

  • A Somber Dream

I am really digging how this song starts off with a piano playing, a melody, and  just that piano opener is catchy,  but then when the drums join in so does the bass. This is a very visual interlude and fits the title perfectly. This is more or less a nice instrumental track that ties things together before the final song seals the fate of this killer E.P.

 

  • Another Kind Of Reckoning ( Feat Michael Keene)

I’m not going to tell you how this song is, because I really want you to check this band out and have a listen for yourself. It’s only a four track E.P. and the sound is all there. It doesn’t sound like something that was recorded in a warehouse basement, no this is the product of a group putting everything they could into self-releasing an E.P. just over a year after releasing their debut full length. I remembered hearing their debut album Saturnine and wondering why I hadn’t heard these guys before, and wondering if they would be touring. But the fact is they have been self-promoting and self-releasing everything they have been doing. Which many bands do also, but to get a sound like this, in just over a year, really only 14 months to putting out an E.P. with a few guest spots and sounds so professional. It leads me to believe that this group of guys here are really ready to be making a name for themselves. They are ready to show the world who they are and what they are all about. Picking up this E.P. would be in your best interest because I have a great reason to believe they could be putting out another or at least more music this year. Yup that’s right Parius didn’t record this and decide to take time off.  They are already back at the grindstone getting music written and moving forward to deliver another E.P. in the near future. now I don’t have anything more to tell you on an if and when, but I know they really enjoyed putting this E.P. together and have the drive to make some killer metal invade our airwaves sooner than later. I am very pleased with this E.P. they have a unique style and sound. They deliver some intense technical melodic death metal with ease.  I really enjoy this E.P.  And was surprised to see Ryan Knight and Michael Keene involved in this E.P. I think it goes to show I am not the only one who finds them to be a band worth investing some time in to.  Check out Let There Be Light 8/10 \m/

 

 

GO grab your copy of this E.P. by clicking HERE to go to their BANDCAMP PAGE

 

 

Don’t forget to show them some love on their FACEBOOK page, give them a like and invite some of your metal friends to like the page also.

 

 

 

 

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

www.badgersmetalbreakdown.com

 

 

Metal drummer Alex Rudinger posts a new video

SO as some of you may know I am a drummer which makes me gravitate to other drummers, and throughout metal are a lot of great drummers. Alex Rudinger is a badass drummer, he filled in for Revocation while their drummer was healing from an injury. He has played for Monuments, as well as the Faceless. He has posted videos of his playthroughs for songs like ” Atlas” by Monuments, as well as play throughs for even an “Eminem” song say what you say ( check it out here https://youtu.be/ti7AJS1kQYI ) today he posted a video for  Dismantle the dictator by Revocation. You really have to give this guy credit, he is a great drummer, check out his video for his dismantle the dictator playthrough here; https://youtu.be/ofcKNk1sIR4

– Badger