Tag Archives: Equipoise

Tethys- Whispers Of Creation

Alright guys! The new Tethys EP “Whispers Of Creation” comes out tomorrow! Get hyped! This is some of the best tunes I have heard all year so far!

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Band line up –

Stevie Bosier – Vocals

Quinn Broderick – Guitar, Clean Vocals & Backing Screams (live)

Cory Medina – Guitar

Shea Broderick – Drums & Piano

Sev Rivera – Bass


Their songs are exciting and very upbeat. After an ominous but interesting sound clip about a supernova, ‘creation itself’, they go into an absolutely punishing series of melodic and technical riff mastery, with some killer groove throw in for good measure. The songs have an amazing flow to them as well. Some bands using groove riffing can get stale but these guys mix them with amazing and catchy technical riffing as well as excellent transitions and nice chordy parts and killer leads. Let me repeat that KILLLLER leads. With an amazing, heart piercing tone. Their grooves are catchy and not generic either. The guitars seem to weave between playing a completely different rhythm lead scheme in and out of excellent riffing with great harmonies as well and sweet grooves that can be accompanied by wicked leads as well. Both of the guitarists solo and both write some absolutely soul touching leads.

Quinn’s solos are the beautiful melodic, artsy ones and they hit RIGHT in the feels. Quinn definitely has a beautiful legato esque tapping technique that he likes to use in the middle of his solos. Fuck is it ever beautiful! Not to take away from Cory’s solos either. The dude absolutely shreds! And his solos are definitely really creative and have their totally epic moments too, the ending of his solo in “Etheral Cypher” has some killer feel, and the way they so fluently switch who is soloing mid-section, sounds amazing and flawless.

In “Progenitor Of Thought”, Quinn and Cory’s solos are separated by a brief and precise stop, powerfully welcomed into Cory’s face melting start along with a piercing scream by Stevie which compliments it perfectly, and builds up to a crazy sweet arpeggio section with a sick riff behind it too! That rhythm solo combination is so damn good! While Quinn’s solo prior to is just super melodic and perfectly written. Some killer ascending runs and arpeggios and then he blesses us with some more of that eargasmic tapping of his into a nice harmonic ending.
“Memoirs Of The Wanderor” is loaded with sweet grooves, they also give the bass the most time to shine in this song by toning down the ante in the middle section a bit. It is a nice moment for the song to breath and the music to diversify. This song also has some of the heaviest moments by far, and really cool alternating of back and forth lead playing over the grooves. Cory also gives us a super sick solo here which starts out really like a melodic lead and progresses nicely then finishing super epic with some nice slight whammy work.

“Astral Transcendence” is an amazing track. The riffs are exciting and there are lots of excellent little leads, with a beautiful tone. Quinn’s lead in Astral Transcendence, that he brings back (thankfully) later in the song, is just out of this world. He finishes the lead and goes into an incredibly catchy solo that hits in the feels hard. The second time he brings it back with a fucking amazing solo before it the second time and goes into vocals. Literally almost brought tears to my eyes. Definitely gave me fucking goose bumps. Only 2 other solos have ever done that to me, “Jealousy” by Death, my favorite solo ever and “Dedication To A Dead Cause” by Bloodshot Dawn, my second favorite solo of all time. Where does that put this sexy piece of magic? Congrats Quinn and Tethys I’m a huge fucking fanboy now. Fan for life. Like I mean really, it is soaring and just unreal feeling! One of the most epic leads I have heard in a long damn time! This goes into a really nice singing part by Quinn when the lead finishes. Oh, the beauty isn’t over, Cory comes in after with a super catchy and triumphant solo to end the EP with super strong momentum.

Sev’s bass totally adds to the punch too. At times the guitars will be harmonizing and the bass will hold down the riff or groove. It works really well. There are great moments of this in “Etheral Cypher” and “Memoirs Of The Wanderor” for sure. The bass has some nice distinct parts in “Etheral Cypher” just after a minute and a half in the song. He has really nice bass lines during the solo section. Again near the end he stands out quite a bit with the fills. At about 1:10 in “Progenitor Of Thought” they kind of soften it up for a brief bit, it flows so well and the bass has some really cool stand out parts during this section. Again after the first clean vocal section at about 2:35 they tone it down and let the bass shine.
There are other powerful moments as well as he just has a really good tone and fits the songs completely.
“Memoirs Of The Wanderor” is definitely the most stand out Bass track for sure. The whole song he just seems more distinct, and then middle section, it is loaded with cool bass lines that keep it very captivating.

This is one of my favorite vocal performances I have ever heard without a doubt. Stevie’s tone, range, delivery and articulation / enunciation of the words is beyond phenomenal. The way he matches the syllable rhythm of his words with the riffs is so excellent and clearly very well thought out. Not only that, but these lyrics are damn awesome to boot.

We enter the music of “Etheral Cypher” with a piercing scream and then he really shows what he can do for the first few verses. Sick timing, killer range and an amazing tone! He uses some really grizzly lows at times as well. The range displayed in this song is phenomenal. I love how he matches the vocal rhythms with the riffage too.
No beating around the bush. That whole song is just so deadly. Piercing highs, ridiculous enunciation. Super badass lows and a wicked range in this song. It just sounds amazing!
In “Memoirs Of The Wanderor” he uses a lot of powerful lows with wicked high accents and some cool layering. His delivery is timed perfectly with the music, especially in the groovy sections.

Quinn also offers up some excellent and fitting cleans in “Progenitor Of Thought” and “Astral Transcendence”. His vocals sound majestic and are smooth and powerful. And IN KEY! Overall they are great, they actually really add to the enjoyment of the songs, a lot.
While Stevie has some fantastic low mid vocals that are just bursting with power. He displays an amazing and tasteful use of range and tone on this EP but the vocals in “Astral Transcendence” are extremely powerful to me. The tone is just so awesome and passionate. I can feel it. But he switches the range a good amount in that song too. Some nice highs and lower lows used when needed. This guy has serious pipes. Watch the live set linked at the bottom to see for yourself. “WE ALL RETURN TO THE STARS FROM WHICH WE CAME”. Awesome.

The drums are killer. Some absolutely face-melting kick sections. The drums through the start of the album are consistently impressive and just punishing. Sweet blasting, and also good use of thrashy beats in a more tech Death setting. Killer groove and nuts kick all over. “Progenitor Of Thought” has some fairly brief but totally insane kick parts. When he isn’t melting our faces, he’s blowing our mind with creativity. He brings them back though, and also progresses with his beats a lot! “Memoirs Of The Wanderor” also has some really sweet kick patterns being used and great fills too. The performance is constantly interesting. Also some really excellent cymbal work on the album. He always keeps the flow of the songs perfect, and generally has a very upbeat and exciting pace to his playing. When it is less upbeat, he always makes it flow right. The third song “Memoirs Of The Wanderor” and the final song, “Astral Transcendence”, starts with a synth part, written by Shea I believe. In “Astral Transcendence”, it transitions smoothly into a great, kind of Thrashy section with really nice ride parts. Then into a sick groovy section. From here he generally keeps a good momentum for the majority of the song, keeping it uplifting and interesting, while going back to a deadly groovy while the sexy lead starts.

I am so excited about this EP, this band definitely has a bright future. They have the makings to be one of the best bands in all of Death Metal. Everything about them screams top quality. Their amazing tone. Their creativity and excellent songwriting. The fact that this is one of the best vocal performances I’ve ever heard. I mean, this can’t be just me? This guy is damn unreal! This band is unreal! And super sick live based on the set I watched about 10 times lol.

“I THINK; THEREFORE I AM”

For fans of Alustrium, Bleak Flesh, Vale Of Pnath, Black Crown Initiate, Equipoise

9.9/10 \m/

 

LINKS
https://www.facebook.com/Tethysband/
https://tethys1.bandcamp.com/releases
https://www.youtube.com/channel/UCHLMHOavPIUGai1UC3lN8pw

PROGENTOR OF THOUGHT LYRIC VIDEO

FULL LIVE SET (pretty qood quality)

 

-Brett /,,/(°o°)/,,/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

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Virulent Depravity- Fruit Of The Poisoned Tree 9.9/10 \m/

Virulent Depravity

Fruit Of The Poisoned Tree

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Releases April 7, 2017

Mike Low – Mixing
Zak Denham – Mastering
Justin Abraham – Artwork

 

 

I am thrilled to bring you guys my review of the highly anticipated debut Virulent Depravity album, Fruit Of The Poisoned Tree.

The line up for Fruit Of The Poisoned Tree is;                                                                        Colin Butler – Composition / Guitar / Bass / Vocals
Malcolm Pugh – Guitar
Kévin Paradis – Drums

Virulent Depravity band photo

I believe for the next album, the lineup will remain the same, with different guest appearances to look forward to. This is some of the most complexly composed material I have ever heard. The riffs are unreal, but retain catchiness, and are melodic in their own, incredibly technical way. Lots of great harmonizations and riff counter points.

Some songs with particularly great riffs are; “Beyond The Point Of No Return”, there is a SICK harmony melodic riff that repeats. Definitely one of my favorite riffs I have heard in a long time. The solos are insane. Some very creative licks and a unique, but epic feel utilized. All of the solo tones sound awesome, and fit, but sound individualized, especially the difference between Colin and Malcolm’s tones. Malcolm’s seems to sound more melodic, similar to his “A Loathing Requiem” tone, but still fit for this project. Where Colin’s tone seems a bit more alien in sound. The guest solos are all rather distinct as well. Mark Hawkins (Devolved) rips the first solo on the entire album with a very crisp tone right into a killer solo by Malcolm and a sweet melodic solo by Colin. The most similar of all the guest solos to Colin’s tone is Elijah Whitehead, who performs a killer solo after Colin on “Mechanized Defilement”. One of my favorite solos on the album by far as well.

This album isn’t just technically proficient though. Your mind will be blown with its feel and passion as well. “Only Human” begins with a beautiful, clean section into an almost classically influenced lead, into the brutality. It comes back to awesome soulful sections later on as well, one, after an awesome guest solo by Craig Peters (Deeds OF Flesh, Destroying The Devoid, ex-Arkaik), flowing incredibly with a nice bass part into a sweet groovy riff and beautiful solo by Colin. The song has some more badass verses, a chorus and a few more killer solos by Colin. The ending is very soulful as well and goes back to that Neo-classical vibe.
The closing track, “Crushed By Futuristic Filth”, is one of the most well-rounded. It is crushing and beautiful and so much more. It has an amazing soft section with a keyboard solo by Jimmy into a completely heart wrenching, beautifully written, emotional but uplifting solo by Malcolm. It is really fantastic! After smoothly going back to brutality it then sounds like it is over at about 5 minutes in and it kind of spirals into a beautifully written guest solo by the young virtuoso, Sims Cashion, over a soft section with keys and more beauty as well.

The bass isn’t overshadowed either. Often in albums when it is performed by the primary composer who is a guitarist, the bass gets the role of simply “holding down the low-end”. Not here. Not only does it have an “EXCELLENT” tone, but Colin steps in and out (mostly out) of the guitar work and throws in a lot of perfectly placed, totally sick fills. He mixes up the technique a lot as well. Between finger picking, slap parts and cool tap licks. The bass has it all on this album. All the tracks have awesome bass. We’ve established this, but some songs have especially great parts that are worth mentioning. Such as “Only Human” has a great bass part during a soft instrumental section in the middle of the song. “Mechanized Defilement” has awesome fills, strategically placed to grab your attention through the entire song, and there is a stop with a nice bass sweep which everyone loves when done right. In the last song, “Crushed By Futuristic Filth”, following the guitar solo is a piano solo with an amazing bass line under it. Not overly shred-dy, just so good. The piano continues after the rest of the instruments stop to give a bleak, but slightly hopeful sounding end.

The vocals are just “WOW“! He utilizes so many different tones as tasteful accents, while the main tone seems to be a low mid to a low that are very aggressive. The delivery is what really gets me here. Most of it is well enunciated and while crushingly brutal and technical, still fairly easy to understand. At other times he uses what I call, “vocal artistic integrity” and just massacres us with some of the sickest deliveries I have ever heard. Especially during certain techy riffs, the speed and ability to manipulate words slightly to fit perfect, is incredibly impressive. The vocal speed and delivery in “Serpentine Messiah”, some of the line in “Your Demise” and, the vocals in “Beyond The Point Of No Return” are ridiculous and some of the verses in “Crushed By Futuristic Filth” are nearly inhuman. Simply astonishing performance. Hard to keep up to even reading along at times. “Your Demise” also has some really great delivery in lines that are not incredibly fast. My favorite being “as you sleep in your cocoon of ignorance, night approaches and we are coming for you” before Malcolm’s solo. The delivery is simply sinister and perfect. The whole song has excellent vocals, not to mention the whole damn album.

The drum performance is also totally crazy. Ridiculously fast blasts with meticulously placed but sporadic at the same time fills. He is capable of basically any type of beat he demonstrates. He tastefully and strategically places occasional gravity blasts, but mostly keeping to jarring blasts and crazy bursts and fills. The snare beats and kick bursts in the first verse of “Serpentine Messiah” is just nuts. Incredible doubly kick speed and stamina through the whole album. especially on that song, “Spineless Obedience, Your Demise”, “Bad Drug”, “Beyond The Point Of No Return”, and “Only Human”. As well as super tasty cymbal word with the changing between crashes / Chinas / splashes and even super tasty hi-hat use between hits. It is my understanding that Colin composed all of the riffs, and wrote general ideas for the drums, but it was all basically Kevin. He even records in his home studio. Which is a huge plus to me. The drums have a very refreshingly organic sound, which can especially be heard during the softer instrumental sections. The cymbals sound amazing and are panned great. Everything about the drum performance, engineering and mix is completely stellar in my opinion.

One thing I really love about the album is that while being absolutely mind-boggling-ly technical, it remains cohesive, and often even has a psychedelic vibe. At times the lead tone helps achieve this, such as the solo in “Spineless Obedience” and a lead section, in “Desecrating Eden”, which comes back at the end also and I just love it and the way the guitar mixes with the Keyboard solo in the middle. This is a largely unexplored sound in the genre and it has been demonstrated magnificently here. With classical level intricacy in the composition and a modern spin to the technicality and riff style mixed with the perfect levels of brutality and passion in the right places. There is even some Neo-classically influenced licks. If this isn’t one of the most creative and well-rounded albums in Death Metal history, then I must have a lot to learn. Definite contender for album of the year! Get on this people! Soon! … I want vinyl.

For fans of Spawn Of Possession, First Fragment, Anomalous, Archspire, Inanimate Existence, Ending Tyranny

9.9/10 \m/

 

Guest Musicians:
Jimmy Pitts – Keys (Track 4, 10)
Mark Hawkins – Solo (Track 1)
Nick Padovani – Solo (Track 6)
Craig Peters – Solo (Track 8)
Elijah Whitehead – Solo (Track 9)
Sims Cashion – Solo (Track 10)
Nathan  Bounds – Guest Vocals  (Track 10)

LINKS
https://www.facebook.com/virulentdepravity/
https://virulentdepravity.bandcamp.com/album/fruit-of-the-poisoned-tree
https://theartisanera.bandcamp.com/
http://www.theartisanera.com/
Check out the early stream from Tech Death Tuesday HERE

 

 

-Brett   /,,/(°o°)/,,/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

The Devil’s Due- December 25th- Brought By Pain- Crafted By Society E.P. review + video for Broadcast 8/10\m/

Brought by Pain

Crafted By Society E.P.

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Released December 9, 2016

Olivier Bourbonnais-Allaire : 7 String Guitars

Kevin Chartré (Beyond Creation, Unhuman) : 8 String Guitars

Hugo Doyon-Karout (Beyond Creation, Equipoise, The Conflux Collective) : 6 String Fretless Bass

Guyot Bégin-Benoît (Ex-Beyond Creation, Voidmask, Equipoise) : Drums

Samuel Ouimet (Ex-Crimson Skull) : Vocals

 

 

 

 

 

Today the Devil has brought us a jazzed up blast filled tech death gem. The band responsible for this killer 3 track E.P. is Canada’s own Brought by Pain. They dropped this killer e.p. earlier this month. With one  hell of a line up this was something we wanted to get our mitts on. Starting with the first track titled “Ending”  the very way it begins with Kevin and Olivier with the guitars playing a killer opening riff, and than Hugo’s bass is nothing short of magical. By the time Samuel unleashes his vocal barrage we were already hooked and that only took about 30 seconds or so. Guyot is a machine behind the kit so it was of no surprise that this was going to be impressive. They open with a very catchy track, with surgically precise transitions and end the E.P. with just under five minutes of some infectious technical brutality with the track “Broadcast” This is the perfect little E.P. to get you interested in this group of musicians. It sure as shit has us ready to hear more stuff by them. Not to mention that if any of you guys are looking for a last minute gift for a metal head, this three track e.p. is only USD $3 and packs a big punch. Sound quality is great, and the line up is truly impressive. While it may only be three tracks each track is rock solid. Whatever holiday you may be celebrating today, if you are looking for something to listen to, check out the Crafted By Society E.P. Everything about this is impressive. 8/10\m/

 

 

 

 

 

 

If you want to pick up this cool E.P. then head on over to their BANDCAMP page to get it.

Show them some support by going to their FACEBOOK page and giving them a like.

 

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com