Tag Archives: Death metal

Inverted Serenity – As Spectres Wither Album Review- 8.9/10 \m/

Inverted Serenity

As Spectres Wither

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Releases October 6, 2017

Inverted Serenity is:

Benjamin Deveau (Moira) – Drums
Drew Peacock (Parasitism) – Guitars, Vocals
Marc-André Simard – Guitars, Vocals
Tomas Ingham (Madeira, Deterrent) – Bass, Vocals

Tracklist:

1. Dead Dialectics
2. Mitral Genesis
3. We Who Wander
4. Cornerstones
5. Paragon
6. Mechanical Gods
7. Grave
8. Lunar Cradle
9. Mountains of Stoke (Hidden Track)

Inverted Serenity began their journey back in 2009 to create an eclectic blend of all things metal to be molded into a form of heavy music that will appeal to the masses, from the black metal, death metal, and even some hardcore and thrash mixed in. They are like an eight headed beast ready to rip through all barriers and norms to deliver an album that can be played start to finish without hearing the same thing twice.

Inverted Serenity had this to say about the album:

“For us, this album represents a great leap forward both in terms of production quality and song writing. We were more familiar with the process of writing and recording this time around and that experience went a long way in making this album better sonically and musically. With that said, we don’t really have a consistent formula for writing songs nor do we really limit ourselves to a specific genre or style. This translates into a varied album that pulls a little something from our diverse influences. It’s eclectic but cohesive, at least we hope so!”

With that said, lets get listening and break a few tracks down.

Dead Dialectics

This track starts out with a really good solid melodic acoustic guitar and around the :30 mark you get a little bit from another guitar and then the drums join in and it just slowly builds and builds until you reach roughly the one minute mark with vocals at 1:06 in and this song has a bit an extreme metal feel already.  what a cool build up to listen to and it really gets the listener ready for whats to come (or so I thought). The vocals are chaotic and you can hear there’s multiple vocalists at this point sounds to be about three,  all handling their respective ranges and I really dig how right around the 1:50 mark the song starts to build up and then as soon as we reach the two-minute mark things have gone even more chaotic.Right around the 4:30 second mark we get a little bit of a guitar solo and it sounds like the guitar solos are swapping and they’re just building off of each other.  Right around the 4:53 mark I like how the drums follow the particular guitar solo riff. The song is not bad, and clocks in around 6:11 minutes long. The song ends just as melodic as it began,  such an  interesting track to start the album with, but next we got to check out Mitral Genesis.

Mitral genesis

This song starts out with some heavy fuzz on the guitars and some heavy drums sounds almost like its going to be heavy on the extreme metal spontaneity.  When the vocals join in around 20 seconds in, it just sounds as if two of the guys or trading off lines and shortly after they build up a little bit more. However the sound of this song is not like the previous track, it’s got almost a different feel to it, and a different sound but I’m interested to see what this one plays out to be like. Around the 1:10 mark, they play this section where they build up until what sounds almost like a chorus up to the 1:30 mark. This is a really catchy section it’s similar to extreme or blackened melodic metal sounding with a guitar solo that comes out of that right around the 1:40 section. I am  really digging the sound of that guitar during that solo also its captivating to listen to,  it really grabs my attention. Coming out of the(roughly)  2:30 mark they come out of that infectious section and then go into a different sounding section altogether where the vocals are like almost rapping the lyrics yet still maintaining the vocal characteristics for a heavy hitting song. The song is actually pretty good, I like this so far better than the previous track it’s a little catchier, though I do find that these guys are a little bit out of the norm with their sound in delivery. That is what is compelling me to keep on listening.

We who Wander

This is the third track and this one has a slow chugging guitar riff with drums that follow nicely with a double bass roll. They play out a few bars of this rhythm, and then coming in right around the :23 mark they get into the next section with vocals joining in at the :36 mark. Again this song doesn’t sound like the last one, so far in three songs I’ve heard about seven different styles of metal played. It really is quite interesting to see a band that’s really an amalgam of all different styles of metal and even some hardcore characteristics in their music. Blending the extreme sound that they’ve got with what sounds like a hardcore/metal style from the early to mid 90’s. They come out of that with a guitar solo starting around the 1:45 mark that’s actually surprisingly melodic doesn’t even sound like it fits the same song but yet it does fit. In how they placed it and how they play it. This song is pretty badass and right around the 2:20 mark they get a little bit melodic and then they they bring up the speed with some fucking blast beats right around that 2:40 into it where it’s almost like a blackened melodic death metal sort of chorus and it is very catchy. This is going to be one of my most played songs off this album I’ve found myself to be spinning this track the most I just really dig them a lot exception in the middle it’s captivating in chaotic yet soothing.

Cornerstones starts off like a hardcore metal song you got the the floor tom to snare that classic sort of hard core build up beat and then they go into a hardcore grinding sort of rhythm. Again another track that’s nothing like the previous ones. I wanted to break down all the tracks, but I want the listeners to check this album out themselves. If you find yourself to be a fan of any metal genre, you’re going to find a characteristic from Inverted Serenity that you will like. They appeal to so many different listeners with all the different styles that they are fusing within their own music. Cornerstones starts out with that hardcore sound then they get into radio rock similar to like clutch or  something bluesy and then right around the 3:20 mark they throw in these clean vocals that are  not like pop sounding clean vocals at all. They’re not like emo sounding clean vocals either,  these are essentially cleans and they’re also being yelled at points so while they are clean vocals they’re not your typical cleans and as odd as I thought they sounded at first I’ve spun this track a few times and it fits I don’t know how these guys develop their music but they piece so many things together and make them fit and it’s quite impressive the only way I can describe it as they are essentially a band of organized chaos.

Paragon starts out with a slower and heavier feel to it, but i love the accents on the cymbals during that beginning sequence. when the first set of vocals come in they hav a direct approach and maintain a specific range before the second set of vocals join in and set up the next vocal segment. i am loving the vocals on this album so many different styles and sounds. This song is yet another one that still sounds nothing like the previous track, and that really excites me because I  don’t know what the next song will be like either.  Not to mention the absolutely best moment of this song is around the 2: 38 mark where they pull of this Iron Maiden sounding riff with some echo  to it, and then boom guitar solo and then the vocals come in an join in the melodic metal fashion to match with the guitars.  I am not sure what is my favorite track now just because of the similarity to an Iron Maiden song.  That pretty much bumps things in a positive direction for me as a huge Iron Maiden fan. So, bonus points go to Inverted Serenity for bringing that to the album.


This album has been a trip to listen to, I’m not even sure what song I like most because every song is so damn different you know I mean? The last song on this album which is Mountains of Stoke is a completely acoustic track and again absolutely nothing like any of the other tracks this has made this album to be so interesting for me. Or Paragon which has moments of brutal death vocals. yet melodic guitar sections that sink the hooks in you deep.  I take pleasure in listening to things that make me want to think, that make me curious and often perplex me. If the music is simple, and anyone can do it, then it’s not really that talented, and it’s not really that enjoyable to listen to. When you have bands like Inverted Serenity that are pushing the boundaries and basically taking little bits of every metal genre and some other non-metal genres to make their sound unique. It’s quite pleasurable to listen to. I would strongly recommend to anyone who says that they are an extreme metal fan to check out Inverted Serenity because you’re going to have extreme metal, black metal, death metal, technical metal, hardcore, and a few  bunch of other genres strewn about in it. I’ve got to give this album and 8.5/10 \m/ rating because the music is on point, these guys are very talented.  I mean it’s very odd how well these guys play together with all the different sort of styles that they are playing. From multiple vocalists with multiple vocal ranges and styles, different funky things from time signatures to sounds in the middle of songs. All the while having the three guys with the guitars are doing vocals. I’m not even sure if the drummer joins in for any of the vocal duties but I wouldn’t be surprised if he did. At any rate, Inverted Serenity are talented, they are unique, and they’re going to play a blend of metal that just about anyone’s going to like. I did find that most of the songs were quite enjoyable considering how different they are from each-other. 8.9/10 \m/

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

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https://www.facebook.com/invertedserenity
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Spectrum Of Delusion- Esoteric Entity – Album review- 9.2/10 \m/

Spectrum of Delusion

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Esoteric Entity

Released 08/18/2017

 


Tracklist:
Intro     
Beyond Affliction
Dead Weight
Illuminate Eradicate
Reverie
Ruler of Cruel
Unborn Tragedy
Mixotrophy
Timelines

 

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Lineup

Douwe Negenman – Vocals
Nathan Bonkerk – Lead Guitar
Frank van Rijswijk – Rhythm Guitar
Jerry Kamer – Bass Guitar
Jeroen Mostert – Drums

Hey there everyone,  today I bring you the Netherland based technical death metal team Spectrum of Delusion and their recently released album Esoteric Entity.

Forged in 2013 by drummer Jeroen  and Nathan they built the band up from performing covers until Frank joined and then they began their journey into creating killer music. Now the interesting part of all this is they actually had another album written and ready back in 2014 however after reviewing everything they scrapped it because it didn’t adhere to their level of acceptable standards and their sound. A whole album with seven string guitars and a five string bass, scrapped because it wasn’t true to their core.  They set off to create something more pure to their sound and decided to put a fretless in the hands of Jerry and upon that brilliant idea, Douwe joined and everything came together to  get Esoteric Entity finished. This is the debut Album of Dutch Technical Deathmetal band Spectrum of Delusion.

The intro will take you for a melodic stroll into the music with very slight progression, and the only hint they give you is the bass only seconds before the intro ends and “Beyond Affliction” begins.  I am really digging the levels of all the instruments especially the bass.  It is right there and not hiding behind anyone; they deliver a nice simple guitar solo around the thirty-second mark before jumping into the verse with a blasting rhythm from the drums.  Damn this track is awesome, melodic, technical and has a great mix to it, what a great song to start the album with.  It really hooks the listener, especially with the bass, these guys did a killer job on this album.

Dead Weight

This track has a nice build up period lasting just shy of sixty seconds, but I really get hooked by their melodic and captivating sections with the instruments before the first verse begins.  The verse seems to sink the hooks in further.  They keep the song length around four and a half minutes long but I would say about two minutes of that is music without vocals. Nothing wrong with that though, showcasing the talent of all the musicians in the band is a great way to flex their muscles and give listeners like myself a solid idea of what we are working with here.

Illuminate, Eradicate

It has a much quicker set up, not much build up or progression before the first verse however they simply get right down to business this is one of my favorite tracks off the album, and yet it has some of the least instrumental sections of the album.  The song as a whole is very catchy, and the ability to really hear the bass is what draws me in the most.  Spectrum of Delusion is not one of those bands that has a killer guitarist, a drummer that can keep up and then the rest of the guys just fill in the blanks. No, each and every member of this band has talent worth the attention they get.  This song clocks in less than three minutes in length, but damn does it pack a mean punch.  I do wish it had a little more instrumental time however this is such an efficient track I respect the fact that they are able to hook me without the same tools as the previous tracks.  This is a track that has no filler, catchy with some tasty riffs, and still has a bit of a wow factor.

 

Reverie

This one seems to pick up almost the way Illuminate ends, it’s almost like “Reverie” should be a part of illuminate, it just follows up Illuminate so well. Tempo is nearly the same unit the first vocals are heard.  They slow the speed down for dramatic effect, and I find it to be effective right around the 1:36 mark Douwe adds another layer to that slowed down section, really emphasizing the vocals being held long.  This song is one of those songs where typically I hear it’s not as fast as the previous track. My mind begins to wander thinking that the song will just not keep my attention for long. That isn’t the case with this song, I did need to listen to it for a few spins. But the slowed down section grew on me, and it was all because of the vocals.  I went into this track not enjoying it as much, and then let it grow on me, and now I enjoy this song in a different light.

 

Ruler of Cruel

This song has a bit of an ominous buildup, but right around the :09 mark you can hear the bass hit a high note. And delivers two bars of that bass note, a few vocals and then back to that bass note. Jerry Kamer has taken my expectations of this album to a new level, but it’s the saxophone that has piqued my interest now.  Not many bands can pull off a cool album or a cool song and then also incorporate a saxophone into it and maintain the same level of heaviness. Cephalic Carnage, and WRVTH have been able to pull it off. But Spectrum takes things to a different level with the sound of the bass, then the saxophone and a jazzed up section in the middle of a heavy track.  Damn kudos to the guys for pulling it off and then also to Erwin Van Wieringen for playing the saxophone.  Which brings me to another item, session musicians don’t have to be guitarists or drummers they can be saxophonists that add another spicy level to some badass music.

 

Unborn Tragedy

This song really unearthed similarities to bands like Beyond Creation, and Necrophagist and I find myself really impressed by this album.  This song starts out slower than the others, and it has a bass filled melodic introduction that sets up the base layer of the song, and when that bass fades out the next section is up tempo and builds up that next layer in which the vocals are going to start, with a faster energy and a heavier attack.  The tempo changes several times in the song, and yet each transition is very fluid.  There is one section of the song I am not 100% sure I dig it or not.  But halfway through the song they have a section that is a bit repetitive and while it’s not sloppy, it’s not hooking me either. The saving grace for this track  is the drums and the bass.

 

Mixotrophy

The song begins with a quick set of blasts, and then a heavy bass line with a guitar over that making some sweet melodic build up. When the vocals start in, shit has gotten real at this point. The song heads into a fast paced tech death barrage of blasts and just when you have succumbed to that catchy section, they change time and direction slightly.  I am not sure what impresses me the most about this album, there are too many things to list. But I find with some bands too many changes can ruin it for the listener.  We want to be pulled in and stay with the song the whole time.  But with this track the changes are so subtle that they just flow into each other with very little set up for each transition.  They just flow right through the song.  from 3:10 to about 3:49 there are no vocals but a killer instrumental section. I love these instrumental sections Spectrum have added to some of the songs.  I find I enjoy these moments so much because the instruments all blend in well, there is no overshadowing, every instrument is clear, and it adds to the quality of the music.

 

Timelines

This is a great follow-up to Mixotrophy, because of the seamless transition from one track to the next.  This is really the only track I can say has some chugging coming from the guitars, the tone is a bit darker sounding to me, but the actual pace of the song and intensity is right around the same level. But I really absolutely dig the part at the :52 mark, where the vocals have an old school style to their delivery for just a few lines before the blast beats begin. The head movement starts to kick in and you are already hooked by the 1:10 mark. And the song has really only just gotten started. This track is the longest running track on the album but only by a second. The reason I bring that up is because there is so much packed into this song, and it really could have gone on longer. But Spectrum takes the last forty seconds of the song to finish the song out, but at the 5:15 mark they kick off a guitar solo and then fade out. Really leaving me wanting more to come out of my speakers.

 

 

All in all, this album kicks ass, this was my first time hearing Spectrum of Delusion, and I am glad I did. They remind me of a mix between Beyond Creation, Virvum, and Necrophagist.  A truly nice blend of melodic, yet technical/progressive death metal.

This album is great, the production, the balance of instruments to each other as well as the vocals. These guys don’t make up a band, they make up a team. A team that come together and don’t have any one member pulling the most weight through sound and musicianship. The intro track does a solid job getting the listener warmed up and then everything after flows perfectly.  This is an album you can hit play and leave all the controls alone.  Push play, listen, rock out, repeat.  The production of this album is well beyond expectations considering what these guys are asking for in price. Because who doesn’t have two dollars to spare for nine tracks ( eight and an introduction track)? I am digging this album, and I will be keeping my eye out for more from this badass bunch.  9.2/10 \m/

 

Check out the links below

https://www.instagram.com/spectrumofdelusion

https://spectrumofdelusion.bandcamp.com

https://www.youtube.com/user/SpectrumofDelusion

https://www.facebook.com/SpectrumofDelusion

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

Cytotoxin-Gammageddon- Album Review 9.8/10\m/

Cytotoxin

Gammageddon

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Releases on Friday, July 21st

Grimo (Vocals)

V.T. (Bass)

Fonzo (Guitar)

Jason (Guitar

Stocki (Drums)

 

 

 

 

Radiatus Generis

Rapid fire blast beats, and guitar sweeps set the song up with just shy of fifteen seconds of that chaotic yet intriguing set up. Until the vocals start spitting lyrics. I absolutely love this song; they sink their hooks into you within the first minute of the song.  It has a solid tempo, but the guitar work is impressive. Check out the guitar riff around the :53 second mark, the riff itself has a solid set up, and the actual tone is fitting with their popular concept of nuclear armageddon.  The more I listen to this song, the more I realize they set themselves up for something killer several times before the song is halfway through right around the 1:19 minute mark is a cool set up, and then “We are the Same” and then the brutal groove begins. For about thirty seconds they deliver on a steady groove from the guitars and drums. Meanwhile “we are the same, condemned to perish” can be heard, all the while the song begins to build off of that. Eventually they hit a peak and the rapid fire blast beats and riffing begin to burn a hole in you from the intensity. Right around the 3:00 minute mark the song hits the apex of the song. The section that will repeat, and build until the song reaches the end. That solid minute long end is brutal, ESPECIALLY at the 3:48 mark when you hear “MASSIVE RADIATION DETECTED” and the drums are playing a bulldozing groove, that fucking fits like nothing else could. HOLY SHIT is this what the whole album will be like? If so I am ready for some technical brutality that will be sure to mutate me with the massive radiation detected.

Chaos Cascade

The song begins with a single guitar, a bit of drums and then a quick set up with the vocals before the blasting begins. This beginning sequence sets up the song well, it leaves the listener ready for how they end up breaking out into the first verse. Right around the one-minute mark, they head into a chorus like section. Simple yet catchy and then hits us with some guttural vocals, before transitioning into another section, this time a bit more intense than the last. I find myself really enjoying this album with each transition throughout all songs. This song is great for that, right around the 1:21 mark coming out of that catchy chorus.  The blast beats begin and the guitars sink their hooks in with ease. While the vocals continue to bludgeon with well-timed attacks that jive with everything going on.  This is one of the things I find myself enjoying more about this album that previous ones.  Grimo uses them a bit more sparingly with this album, but the delivery and the timing are on point.  Right around the 2:40 mark, the song rolls right into the same section a little over a minute before only to blast that out in short time before hitting the point of wrapping things up.  The last thirty seconds of the song tie everything up well. They manage to make ninety percent of the song technical, catchy and impressive and the last ten percent is a slower paced section with some groove and still packs a punch. I love it, but I am sure that the title track is going to be following the trend and raising the bar some more.

Gammageddon

The song begins with an almost chaotic yet brief three second set up from the guitars and drums before starting the first verse with the vocals joining in. it actually reminds me of something Despised Icon would have done in their earlier albums.  The song will certainly generate some head and body movement as this verse plays out.  By the time we get to the 1:25 mark we get a section with a killer riff and the intensity of the song builds up.  I mean now I am ready for anything. That amps me up big time, and it lasts about fifteen seconds.  But man the song isn’t even half over yet, they continue to completely destroy me sonically with this killer track.  They hit you at the 2:11 mark with that same killer riff and blasting section to satisfy my withdrawals from the moment before. This is such a killer track, I’m sorry the rest of this review is going to be hell after this song.  The last little drum solo is sooo very simple, and yet that’s all it needs to be. In that moment you can hear the drums crystal clear, I feel as though I was in the same room. Now that, I find impressive they have posted a few studio videos and they did the recording at. But the sound on this album is one of the more impressive aspects of this album.

I feel as though this is a good time to insert the video for Gammageddon so you can see what I mean.



Chernopolis

Now this song right here is the song that has gotten the most spins by me all around. When I first listened to this album I had it on random and this is the first song to play.  Just listen to that beginning. It has this ominous set up, with just enough progression from the drums and guitars to give the listener the feeling that this song is going to beat them to a pulpy mess of body parts. For a solid forty-seven seconds the beginning sequence just sets up the tone, while they come out of that with about another twenty seconds of even more buildup to transition to the first verse.  I have listened to this beginning several times alone, how this song makes me feel is that I can’t stop the song before that beginning sequence has played through its entirety, and then by that time, I am now invested in the song completely. What a killer way to start this song off. It’s a bit more calculated and slower paced. But the intensity of the drums, with the guitar riff makes this a no brainer that this is going to become a fan favorite.  The vocals join in around the 1:11 mark and they have the low guttural delivery before bulldozing the first verse with lows.  This song is a slower pace but it has a groove about it, that will have many moving to the rhythm. But not before reaching the1:57 mark where the guitars pull of another riff that sets up the next section perfectly, only to have that section build up even more. What I am finding more and more from this album is the natural progression of the songs.  I love it, everything is mapped out well and has me amped up to extreme levels. Not to mention the guitar solo at the 2:48 mark. Damn I want that guitar solo to play when I get a call or text. That solo is badass, it’s not a flashy solo, but it is a sweet lick that holy shit if that doesn’t cut right through you and have you ready to throw some horns up and hit the pit.  Right around the 4:19 mark the guitars hit us with another badass lick that gives off an alarm vibe but still has a badass feel to it. They set up a section of complete and utter filthy gutturals that make me turn the radio up louder roll down the windows and welcome all the surprised looks I get. This song has renewed my faith in Cytotoxin, as the last album just did not have as much of an impact on me as I had expected. They deliver a soulful guitar solo around the 5:46 mark before wrapping the song up and ending it to transition into Deadzone Outpost seamlessly

 

Deadzone Outpost

Dead zone outpost is just a track that offers some imagery to the album. They do a killer job with this as it’s not just something to skip through. Not every album needs a track like this to offer theatrics, or imagery. But I find that if done well, makes an impact on the album. I will admit at first listen I was just too eager to wait, I saw the time and realized it wasn’t a song. But the fact that Deadzone Outpost rolls right into “Redefining Zenith” which features Svencho as a guest vocalist.

 

Redefining Zenith

And it begins with a signature sound found often with Belgium blasters @Aborted, this is an unmistakable introduction by Sven De Caluwe. They hook us with that driving rhythm from the guitars and the blasting drums.  Just shy of half a minute they begin to transition in to the first verse.  Which is going to have the listener head and or body moving, because goddamn that’s catchy. Right around the :38 second mark. Sven lays down his first line of the song. And it compliments Grimo very well.  Fast forward to the 1:55 mark where the song is getting ready to transition again.  There is this moment when Grimo lays down a phrase, and then Sven responds with his line. The back and forth as well as the blend of the two vocalists sounds awesome. I’m not entirely sure what I like more the majority of the song which is fast paced lots of blasts and fast guitar lines. Or the heavier slower sections of the song. I sure as shit hope they have Sven as a guest again for future albums because this track is catchy as hell.  Not to mention how they finish this song up. The last line spit around the four-minute mark with a few growls but the guitars and drums sound sick. But I have to say, this track is so good.  It may not be my favorite off the album. But just to clarify, this song is so damn good it would score a 9/10 due to the compatibility of the two vocalists and my ear drums.

Corium Era

I will admit that there are songs with a beautiful roll out on the drums before bludgeoning us with heavy hitting double bass and blistering blast beats. The type of roll out that could be simple, it could be complex, but it’s perfect. And the sound quality of the drums is so clear. It only lasts about one full second, and then guitars come in. So I have just played a loop of the first ten seconds of the song for about a minute and a half. Wow, what an introduction to the nuclear madness that these guys unleash upon the listener. In just a short period of time they hook you, the guitar riff in the beginning continues for the first verse, and the vocals have some mean lows in a few accented areas.  The guitars are impressive on this song, the riff around the 1:03 mark is a great example of the caliber riffage they are slinging on this track.  Just when I think they can’t play something as infectious as the last section, they gut you at the 1:55 mark with a section where the guitars are playing this cool rhythm, drums are emphasizing the footwork for a solid thirty seconds. The whole time if this is being played anywhere, I am pretty sure it could summon a circle pit in any location, at any time.  I mean, teeth are probably going to be knocked out at many shows to this song. they come out of that with a solid final verse. Then around the 2:42 spot they hit us with the final solo of the song. A wisely placed squeal to set up the last thirty seconds of awesomeness, and the song ends.  I have played this song so many times because of the beginning and then by the time the song ends. I was just in metal head mode stuck in that “awe” feeling when you hear something so badass. I am loving this album so far.

Antigenesis

Julien Truchan from Benighted guests on this track so I am interested in the vocal delivery and blend of Grimo and Julien on this. The chaotic guitars in the beginning give you that sense of alarm that they seem to be projecting into the music. Adding to the imagery of the music, the band pulls off guitars like this and its impressive how the delivery is. This song is the shortest song with vocals, and I can respect the fact that I have not been let down with this album yet. I just got hooked by the guitars and drums of this song, I wanted more of those. But to be honest I wasn’t feeling the vocals as much as I had anticipated. I dig the rapid succession squeals around the 2:21 spot but it was because they really flowed well with the other instruments. The song as a whole is badass, I ended up gravitating towards the instruments more than the vocals on this track. Nothing wrong with them, I was just more impressed by the instrumental aspect of the song.  Contagious just like the first half of this album has been.

Outearthed

Some low vocals set up the song with a killer riff that follows and a cool rhythm that just lays down a killer groove with that solo. Grimo delivers a few more squeals in this song, and early I might mention. Not even half way into the song and executed those rhythm matching high pitched eardrum splitters.  I like the section of song around the 1:38 spot. The song builds up, the vocals have a cut up section and then, they assault you with this heavy section that is probably the easiest for them to play. simply put, it just grabs you, they did a great job on this song, and this album. Another few squeals around the 2:20, a growl and then a guitar solo. The song throws down the gauntlet with the change at the four-minute mark. This is the song ending sequence right here. probably the best part of the song for me, i really enjoyed the second half more than the first.

Sector Zero

This song is an instrumental track that delivers heavy doses of image inducing riffs and killer drums. This song will have anyone within earshot, moving to the song.  and what’s that some sort of sound like an alarm around the 1:08 mark. I like this subtle way of ending the album out, it really adds up. They hit us with things like “Massive Radiation Detected” Dead zone Outpost, and then this alarm sound. I love this album.

 

 

I love this album, while I didn’t get moved as much by Outearthed or Antigenesis as much as the other tracks. this album has so much packed into this album. It is catchy as hell and I am sure it can make some AOTY lists with ease.  I feel as though they took a look at their sound and style after signing with Unique Leader Records, and determined that the only thing to do is continue to hone their craft with every note being scrutinized and investigated to determine the worth of that one note, because they sure as fuck made sure to make this album a gem. The guitars on this album are incredible, I am impressed with this album.  The drums are crisp and sound great.  The actual sound quality of this album is something to be happy with. These guys put a lot into Gammageddon, the production is great, and there really isn’t anything I am not happy with or didn’t enjoy.  You only have about less than 23 hours to get on the pre-orders for this album so if you don’t want to miss out on any of those, you can find some links below for getting your copy of this absolutely killer album.

9.8/10 \m/

 

 

Find them on Facebook and give them a like to stay updated-https://www.facebook.com/Cytotoxinmetal/

Or check out their website HEREhttps://www.cytotoxin.de/

Pre-order digital copies- https://uniqueleaderrecords.bandcamp.com/album/gammageddon

 

Merch:

https://www.indiemerch.com/uniqueleader/band/cytotoxin

 

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

http://www.badgersmetalbreakdown.com

 

 

 

 

 

Godeater- Outerstellar- E.P. review 9.3/10 \m/

Godeater

Outerstellar

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Released: May 31st, 2017

Godeater line up:

Josh Graham – Vocals

Ross Beagan – Guitar, engineering, composing

Andrew Macdonald – Guitar

Will Keogh – Bass

Allan MacDonald – Drums, engineering

The EP begins with an ominous build up. A drum fill begins the music in “The Silent Prophecy” and takes us into the high paced and catchy riffage with powerful and heavy vocals. Not too brutal, but deep for sure. They beat us apart for the first fifty seconds until we get our first taste of real melody, (besides the touches used in the riffing). Then really nice soaring lead. We get brought back into the catchy fast paced riffage. About a third of the way through the song we get some more really nice melodic touches over the riffs. The vocals seem to go along with the music really well. As this lead part with vocals ends, we get somewhat of an interlude like section, that is spacey and ambient. Slowly they build back up starting with the bass and then a pick scrape into the slower heavy riff. This section is quite dark. It feels brooding, and it flows into the next, brief faster section really well. As that section ends we get another interlude section similar to the one in the middle of the song but it begins with an acoustic guitar. It is a nice way to end the song and also flows perfectly into track 2.

“Ethereal Majesty” begins with an almost white noise building up type ambiance with some more sounds that really remind me of Nomatic era Fallujah. Just after a minute they begin this riffage. It also begins brooding and slower, there is a doomy vibe almost. The vocals are killer and heavy as fuck here, then a nice pause into a sick good paced riff. The drums are constantly switching it up and really keep this section’s pulse. They briefly pause and transition with what sounds like some sitar and go into a slammy riff/ tremolo back and forth riff and the drums continue to switch it up and keep us on our toes. They slightly simplify it near the middle, but not for the worse, its pretty groovy and catchy, right before they pick it up to full force briefly again. This is indeed brief as they fade down to a drawn out chordy part with a really lovely lead, into an almost blackened chordy part with equally almost blackened vocals into – WOAH –  definitely a breakdown. They just morphe so many genres and totally killed it. The breakdown does do the classic ‘more dirty’ part and then they nicely flow into a prefectly head bobbing riff to end the song. They slow it ever so naturally and open fade into the last song ending perfectly.
The Nebulon Abhorrency” begins a lot sooner than the others. The open fade soon brings some synth and eerie screams. They make us know some change is coming and begin the high paced and catchy verses. There is some sick melodic double picking riffage going on! I absolutely love it. This song seems to have the most notable synth though it is in every song. This one has almost synth leads at times. After one synth lead part over a cool riff we have a sweet groove! They then slowly let it breath with more synth and then totally melt our faces with fast technical ridding and powerful in your face vocals. The drums have some wicked blasts and are coming at a good pace with the blasts and thrash beats. There is also some really killer guitar fills in that section. They then slow it down to a more doomy vibe once more before the end. Fast double kick and powerful slow riffing which fades into synth that takes us to a close.

Godeater has made a strong impact with these three songs. They are catchy and well structured and have enjoyable production. I can tell there is room to grow but I have no quarrels with this EP whatsoever.

For fans of Fallujah, Bleak Flesh, The Odious Construct, TETHYS, Vale of Pnath

9.3/10 \m/

LINKS:

CLICK THEM \m/
https://www.facebook.com/godeateruk
https://godeateruk.bandcamp.com/album/outerstellar  

 

 -Brett /,,/(°o°)/,,/

Currently listening to NY death metal outfit Iscariot’s latest E.P. Blood Doctrines

Iscariot was recently recommended as a band worth checking out,  I decided to take a listen to Blood Doctrines (released August 9th), which is the latest E.P. from New York metal group Iscariot.

From what I have listened to so far, this sounds pretty badass.  Six tracks including an into track of  good modern death metal. If this is what they bring to the table I for one am looking forward to any future releases.  It is a very reasonably priced E.P. available from many outlets including iTunes, Amazon, and Bandcamp.

 

Have a listen and see for yourself

 

 

If you like what you hear;

head on over to their BANDCAMP page to order Blood Doctrines

Also give them a like on FACEBOOK to get all their news updates.

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Skin Drone – Evocation Album Review 7/10 + Interview

Skin Drone – Evocation

Otto Kinzel & Erik Martin

Bluntface Records

 

 

  1. Scarlet Road

The song starts out with a subtle drum roll out and then they waste no time blasting the doors down and getting right into the gritty extreme/grinding industrial spirit of things. Right from the get go, you will be head banging right along with the beat. I like the guitar tone also, it has an old school buzz to it that gives the song some character. Right around the 1:27 mark the song drops out to the sound of some atmospheric sounds and then whisper clean vocals “ another night passes , another victim left to find their way to hell” is heard and then it’s not long before they go back into full force. The song slows down once more about halfway through and   they come out around the 3:56 mark back into a similar riff used in the beginning of the song.

 

  1. God Complex

The song starts out with what sounds like an orchestral arrangement and then before you can acclimate to that they explode with blast beats and chugging guitars. This song actually reminds me of Winter solstice many of you probably have no idea who that is, but they put out a killer album about ten years ago and fell off the face of the earth. Its songs like this that bring floods of memories of other great sounds and bands I have heard over the years. I won’t lie this song is going to be a rollercoaster for many. It hits hard and fast, and then they slow it down quite a bit for a section, but go right back into the hard and fast approach. This is where the Experimental tag comes from I am assuming. Normally I don’t care for “Experimental” because half the time it does not sound good. However, I am really digging this track.

 

3. Death Sentence

Some spoken dialogue with vocal effects kick the song off, and the song gets hard and fast quickly. I just can’t get passed the guitars and drums, the vocals are good don’t get me wrong. But these guys are really trying to give us whiplash with the changes they make and how it will go from a heavy section to a funky sequence around the: 54 mark and then back into something much heavier at the 1:09 mark. But you can’t help but really get locked into the schizophrenic styling’s of this song and enjoy yourself trapped in your own mental asylum while listening to the song and getting the imagery it creates for the listener.

 

4.Shepard Of The Damned

The sound of a record player with the needle dropped and record spinning can be heard as that sounds gets louder, vocals join in not quite muffled but layered under the record player sound. It is done so subtly, that the end product is very easy to follow along with and enjoyable. This song is not as fast paced in the beginning as the previous two tracks but that doesn’t last too long before they go right into steamrolling over you with grinding blast beats and guitars. Right at the 4:48 mark the double bass roll, is perfect, rapid crushing bass for that section before the song starts to mellow out again.

 

5. Ghost Reflection

Sounds of nature can be heard, a woodpecker and other birds for the first 15 seconds or so, and then acoustic guitar and stringed instruments play out a nice serene melody. This is much like an instrumental interlude and at 3:29 minutes long it really doesn’t feel like it. It’s a nice little track to listen to in between songs.

 

6. City Lights

This song starts out with an industrial feel, and I am digging the drums for that opening section just as the vocals join in. The vocals are low and more guttural than previous tracks giving you a sense of the vocal range happening on this album. What I like about this song, is that it’s not trying to be the heaviest, but has a solid stance on what the ratio of melodic to heavy should be in this song. Of course as a drummer I will be focusing more on the drums and I really like how the drums are for the entire song, and how they get more industrial right before the end.

 

7. Witching hour

There is a groove about this song just after the opening sequence that you can really get into. The vocals are in the mid to high range, I am not taking anything away from them, I will say I could easily enjoy this as an instrumental also. Because while I am listening to the vocals, I am paying more attention to the drums and guitars and   going along with every change they transition in and out of. I’m thinking this could be a fan favorite just by listening to it. There is a lot going on, but not too much to the point you just can’t follow it. It’s like controlled chaos, and I can get behind that real easily. All the way to the jazzy section right around the 3:00 minute mark, I am really digging this.

 

8. Darkness Within

A piano starts this song out, with some whispered vocals for the first few minutes before the drums and guitars come in. and I gotta say, as basic as the guitars are right here, there is something about it that I am really enjoying. It’s like a little bit of echo but there is something about that with the tone of the guitar that really makes the song sound like what you would expect by the title. What I like is that they throw in a few brief sections of double bass rolling heavy guitars and harsh vocals.

 

9. Salvation

Ahhh the final track begins with a guitar melody playing and whispered vocals. With the drums playing a beat that really follows the guitars and vocals well. Its part hard rock, part tribal, and part modern metal. I am really enjoying the turn the song takes at the 1:41 mark. This has me tapping my foot and thinking about throwing some haymakers. The 5:00 minute mark is a highlight of the track where the song abruptly goes into heavy dizzying circle pit detonator. This is the longest song on the album. And it covers everything from dark melodic, to industrial, death metal, and pretty much everything in between, except polka.

 

 

 

All in all I will say that this does not sound like a two man band. What I mean is that the mixing and mastering was done so well that if you did not know Skin Drone’s line up you really would not be able to tell its only two guys. The album does not display only one form of heavy music, but blends several different styles together creating this rather unique dare I say experimental metal band. I tend to stay away from using the term experimental metal because I have come across “experimental metal” bands that sound awful. Whether it is so far out of having a sound that you can follow, or the production sounds like it was done in the back alley next to a McDonald’s dumpster. This is not the case for Skin Drone, the production was clean and professional, the style is easily enjoyable. The way they can go from playing something heavy to something jazzy back to something heavier than before, then mellowing out, taking the listener on a musical rollercoaster ride.– 7/10 \m/

The two that make up the band, One being the man behind Bluntface Records himself Otto Kinzel, and Erik Martin.  Luckily I was able to catch up with Otto about the Skin Drone release as well as what Bluntface Records has planned for 2016.

 

 

1)      So Otto, how did the idea of Skin drone come about? Is this something you have had been working on and then brought Erik on board, or vice versa?

Otto: Erik and I met when his other band, Critical Dismemberment, was involved with a compilation Album my label (Bluntface Records) was releasing. I really liked their music and I reached out to them, to see if they would be interested in working with the label on more releases. I got to know both Erik and his bandmate Chase Fincher pretty well. It just naturally flowed in terms of what we had in common and our musical and non-musical interests. It was a natural step to start collaborating on music. I had been working on a version of Skin Drone for awhile and had been trying to get it off the ground, but with no luck. So when I finally reached out to Erik to see if he would be willing to give it a shot at doing vocals, I figured I had nothing to lose. Luckily, he hit a home run with his performance! That song ended up being Witching Hour and it kicked everything off in our collaboration.

2)      Listening to this album, I have to say, if there ever was a band to really bend sub-genres to form a unique sound. I’d say Skin Drone is like the matrix of metal sub genres. What were the influences for the album?

Otto: We each have so many influences that it’s almost impossible to list them all. We knew we wanted to challenge ourselves in both the performances and the songwriting. There’s a lot of elements from technical-death metal in there but also a lot of industrial and avant-garde influences as well. We wanted to take a lot of big risks, as far as extreme metal goes. That included trying to use a lot of darker, more ambient and dissonant type sounds. We want the listener to think of the songs in a different way; for it to feel more like scenes from a movie.

3)       The sound is amazing, I know you  (Otto) have some experience under your belt.  This album sounds amazing, I always look at sound quality as a big part of my review process, and this album sounds great. The quality is great, where did you guys do the recording and mastering.  How long did it take from start to finish?

Otto: Erik and I each have our own recording studios in our homes, so all the tracking was done between those two. After all the basic tracking was done, I did the majority of the editing and production related stuff. After that, we hired Chase Fincher to do the mixing and mastering. He did a fantastic job and we could not be happier with his work. The three of us had a lot of discussions beforehand about the theme of the album, the type of sound we were going after, the goals we had for the finished product. And Chase took those notes and really made them into his own goals. I can’t praise his efforts enough, Chase really is the guy who tied the whole thing together and helped craft the finished sound you’re hearing.

4)      I have read a few of the reviews for the album so far, and the general consensus is the unpredictability of the music.  Were you guys really going for that sound of musical schizophrenia? Or when they ideas came together did you feel that they had to blend the way to achieve what you wanted from the album?

Otto: That’s hard to say because on some level I think we subconsciously wanted to make the album really challenging for the listener. We wanted to create something that forced the listener to pay attention to what was going on & have to go back and listen several times in order to “get it”. But having said that, all of the songs and all of the various layers we have within them came about very naturally. Once Erik and I got into the creative zone, it just flowed. That’s not to say that this process was easy, because it wasn’t. Writing these songs and recording the album was very difficult. It took a long time and involved a lot of self-editing and revision. We worked our asses off on it. But it was always fun and always incredibly rewarding creatively.

5)      Lastly, and I ask this of many bands, but I feel it’s a very pertinent question in regards to the music. Is there anything you want to tell the listeners about the album?  For example, when listening to the album, would you recommend listening to the album while glancing at an unopened bottle of vermouth, or that a specific sound on the album is actually a fire extinguisher. Maybe a disclaimer, people who suffer from epilepsy should be warned, etc. Anything that you want the listeners to imagine while listening to the album or specific song. Or simply that this is just the beginning, and that Skin Drone is here to bend the rules, and create new sub genres within metal.

Otto: Haha, my only suggestion would to listen to Evocation with headphones. Chase did an amazing job with the stereo panning of within the mixes and there is so much subtle layering that a lot of the smaller “detail” type sounds we have interwoven within the mix can get lost if it’s being played at really loud volumes on huge speakers. This is a “headphone” album all the way. We want you to turn it on, turn off the lights so you’re sitting in the dark, put on the headphones and lose yourself in the music. Let us take you on a dark journey and come out the other side with you.

 

 

 

Follow them on Twitter @skindrone

Check out the Skin Drone Bandcamp Page

Find them on Facebook Here \m/

Bluntface Records Website

Skin Drone on YouTube

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Currently Streaming French metallers Syrinx’s new album ” Black Spring”

Currently listening to the French metal outfit Syrinx and their album that comes out today.  9 tracks of their own blend of metal that is very impressive. Human Pollution is a solid track and a favorite of ours. check it out \m/  You can find the new album over at  BANDCAMP \m/

 

 

 

 

If you like what you hear, then go on and give them a like on FACEBOOK to stay current on up to date news

 

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

Currently streaming “Arrival” by Beast Of Nod

Boston Death Metal  act ” Beast Of Nod” bring the old school death metal and modern metal with some groove for the release of Arrival.  Stream the E.P. below and also there is a fresh Lyric video for “Cephalopod of Doom”

 

 

 

 


 

 

 

 

Check out there FACEBOOK PAGE

Purchase this Killer E.P. by clicking HERE

 

 

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

Haunted Cellar – Infernal Delusions Review

Haunted cellar : INFERNAL DELUSIONS

Haunted Cellar is:

Khodor Nashar – Lead Guitar & Backing Vocals.
Rodi Mestrih- Drums & Percussion.
Walid Sandakly – Lead Vocals.
Aboud Kabbas – Bass Guitar.

1: The Divinity of Loneliness

The song starts out with a wholesome and melodic, guitar rhythm being played for about 18 seconds until the distorted guitars and drums jump in. This has a mid tempo feel to it, for a few bars, and then as the drums stop playing, the guitars give us a riff that builds up to the first verse. The vocals for the verse are a low almost guttural sound to them. The recording quality is not the greatest. I am really enjoying this tempo and when the chorus approaches, I am noticing that it is catchy as hell. I could easily find myself humming, whistling, or singing along. After the chorus the song slows down, to give it a more punchy attack. The guitar solo is a simple yet tasteful addition to the song. When the other guitar comes in the harmonics of this section are cool. This song is a good tune, I have enjoyed it during my time listening.

2:The Way of the Swarm

This song starts out with a 1-2 cymbal splash and then a cymbal crash beginning the slow and stringent rhythm. The song goes through a few changes in the drum patterns before the verse begins. This song has a slower feel for the most part until the first verse lets loose. Going into the next verse, it has the same structure, until right out of the second verse. The song slows down to give you a slower punchy feel, more than how the song began. Right around the half-way point, the song takes on a change that is actually the highlight of the song in my opinion. I like the double bass and driving beat it has to it. The vocals are a little higher and tighter. At 3:28 seconds the song transitions back in to the feel and pattern that made up the first verse. It then picks up into a death metal rhythm with a blast beat laden breakdown. This carries on for a solid minute until it slows and abruptly stops.

3 Path to Oblivion

This song has what sounds like a really gritty distortion on the guitars. A riff that sounds like it is going to fade out for only a brief moment until it comes right back in and plays a fluid, mid tempo riff. The vocals join in and it takes on an old school death metal feel. We get hit by a bar of blast beats then winds down to the guitar solo. Not a bad song by any means, but this is the one song that started to lose me.

4: Haunted Cellar

This song has a darker approach to it, with a cool guitar riff in the background then vacates to open up for a solid driving guitar riff, mid tempo drums, and a nice feel to it. The vocals are low and grim sounding. This song maintains the sludgy death metal feel and mid tempo pace for the entire song. Not bad, maybe not the best track they have in my opinion.

These guys have some serious potential and it sounds like they recorded this themselves. One thing I do want to point out is that this band is from Syria. This is not a band on U.S soil where there are tons of places and studios to do recording mixing and mastering. In fact I was only able to find one studio. So take that into consideration when you listen to these guys. Metal may not be the most accepted art form over there, and the resources are not easy to come by either. Especially when it comes to metal band recording studios. If these guys had a chance with more of a variety of studios these songs may sound different. I think they sound pretty damn good considering. They are fresh and have plenty to offer, if this is just a debut of their sound. We could definitely see some serious metal coming from these guys in the future. I personally cant wait to hear more from these guys and see what they have up their sleeves.

you can check them out on facebook

on soundcloud/Haunted-Cellar

and twitter.com/Haunted_Cellar

-Badger \m/
http://www.badgersmetalbreakdown.com

Hate Eternal : Infernus album review

This is a little album review I have done for the folks over at The Metal Syndicate

check it out

1: Locust Swarm

This track starts out with a solid death metal riff and blast beats. Great verse that has a good tempo, something you can move to.  A short guitar solo back in to the verse with lots of blast beats during the majority of the song. Vocals are on point, precise and clear. I am enjoying this track up to the chorus, a great track to listen to. Now the break down begins, it slows down; and has a punchy feel with some drum rollouts. The song continuously slows down in tempo giving it a brutal effect.  The song ends with a note ringing out from the guitar.

2: The Stygian Deep

As the song fades in it has a slower feel to it but only for about 30 seconds. That’s when things pick up, with the verse and the blast beats kick in hard. I do enjoy when the bass of a metal band can be heard and not drowned out. When we reach the chorus the vocal pattern mixes with the guitar riffs. Think of it here as a complimenting symbiosis if you will as they are not trying to experiment with anything. They seem to want to make death metal the way they want to do it with no outside influences. Straight up death metal…no chaser.

3: Pathogenic Apathy

This one has a nice little drum intro to start the song off, no fading in, no guitar riff; just a one bar drum intro. As the guitars come in, the song takes on a mid tempo feel.  Even when the verse begins, vocals come in and blast beats begin. Same feel to it and it maintains that same tempo; the few changes they make don’t seem to change the tempo so far. This is another song you can move to, be it head-banging or moshing. Pretty much whatever turns your crank… or wrecks it. The chorus has a loving feel to it as it has a menacing experience to it, I love that guitar riff. Three songs in and this album has yet to lose my interest. They don’t seem to be stepping out of their comfort zone by focusing on keeping the pace and the brutal feel to it.  This is a solid track, I like it.

4: La Tempestad

Instant blast beats with mean riffing to start off. When the vocals come in they are relentless. This is a song that will be cool to hear live. This is a driving, no holds barred death metal song that willing to cut down everything in its path. I like it; no frills, nothing flashy. This is just a killer track that cuts to the bone. This is one of those songs containing 100% intensity till the very end.

5: Infernus

The title track starts out with a guitar riff as well as some spoken dialogue. It actually reminds me of Johan Hegg from Amon Amarth. However the beginning is a bit drawn out for my liking. When the metal vocals do come in; they are joined by a heavier riff from the guitar and a slower paced vibe that somehow still remains brutal.  Right around the half-way point we witness a change of direction. We have nice little section of guitar riffing paired with drumming adding fills on every other bar.  As if this song wasn’t already a decent tune it then reaches a whole other level during the second half. This song is so bad-ass I find myself being violated by the repeat button. I wish the whole song was like this… brutal and more brutal.

6: The Chosen One

The addition of Chason on drums was a great choice. The way this song starts out has so much intensity, energetic and yet it is precise with no hint of any sloppiness. This may be the only track I don’t care for the vocals as much. This song really brings back that old school Florida death metal feel. But I just don’t care for the vocals on this track.

7: Zealot, Crusader of War

   The song starts out with some double bass rolling and a guitar riff; mid-tempo but not too fast or slow and chuggy. By the time the vocals come in the blast beats begin. The song is not bad, it just doesn’t really keep my attention. The chorus is rather enjoyable with mid section guitar riff at the half way mark is a nice classic solo. The change at the 2:50 minute mark takes on a different feel that I do not really care for. From that point on the song goes downhill.

8: Order of The Arcane Scripture

   This has a riff I can get into right away. The drums I can get in to also. The vocals are better on this track (so far). This album really brings back that Florida death metal feel, in many ways this album is enjoyable because of that. Hate Eternal was not conforming to the industry standards for this albums sound and style. They seem to be just doing what they know how to do. Make relentless metal for sport.

 9: Chaos Theory

  A quite unexpected start to this track as it doesn’t have that typical death metal feel, the groove is different. One minute into the song and no vocals; quick tempo for this song keeps it interesting. This seems to be an instrumental track and an impressive one at that. This is not a melodic “let’s mellow out for a moment” track. What we call a solid fast paced metal instrumental bliss. I am still tremendously enjoying this song as it ends well. The last hit on the bell of a cymbal was the icing on the cake if you will.

 10: O’Majestic Being, Hear My Call

  This song starts out with a cool effect. A talk box for the guitars or a pedal effect, either way they start this song off oddly for the first thirty seconds… that is until the drums come in with a short fill to hit us with a blast beats. The guitar riff that is playing is nothing intricate as it just flows well to a not so mind blowing capacity. When the guitar solo happens I feel as though the song changes for the better. It seems like it will finish up strong. Maybe not as strong as I expected but the second half of the song is still pretty solid and makes up for it.

   After listening to the cd, I can honestly say I have never been a huge fan of theirs nor have owned anything by them. I never thought they were that bad, just Hate Eternal is not my style of preference. I expected to listen to this and feel un-moved. From the day they released a track to stream, I wasn’t blown away. But, I must admit this album grew on me a little and for the better now that I’ve had the chance to get in a few more listens.
Mind blowing? No, but a solid no frills death metal album yes.

If you like what you see check out The Metal Syndicate online radio show, interviews, news and reviews \m/

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stay brutal friends

-Badger \m/
http://www.badgersmetalbreakdown.com