Category Archives: E.P.

Godeater- Outerstellar- E.P. review 9.3/10 \m/

Godeater

Outerstellar

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Released: May 31st, 2017

Godeater line up:

Josh Graham – Vocals

Ross Beagan – Guitar, engineering, composing

Andrew Macdonald – Guitar

Will Keogh – Bass

Allan MacDonald – Drums, engineering

The EP begins with an ominous build up. A drum fill begins the music in “The Silent Prophecy” and takes us into the high paced and catchy riffage with powerful and heavy vocals. Not too brutal, but deep for sure. They beat us apart for the first fifty seconds until we get our first taste of real melody, (besides the touches used in the riffing). Then really nice soaring lead. We get brought back into the catchy fast paced riffage. About a third of the way through the song we get some more really nice melodic touches over the riffs. The vocals seem to go along with the music really well. As this lead part with vocals ends, we get somewhat of an interlude like section, that is spacey and ambient. Slowly they build back up starting with the bass and then a pick scrape into the slower heavy riff. This section is quite dark. It feels brooding, and it flows into the next, brief faster section really well. As that section ends we get another interlude section similar to the one in the middle of the song but it begins with an acoustic guitar. It is a nice way to end the song and also flows perfectly into track 2.

“Ethereal Majesty” begins with an almost white noise building up type ambiance with some more sounds that really remind me of Nomatic era Fallujah. Just after a minute they begin this riffage. It also begins brooding and slower, there is a doomy vibe almost. The vocals are killer and heavy as fuck here, then a nice pause into a sick good paced riff. The drums are constantly switching it up and really keep this section’s pulse. They briefly pause and transition with what sounds like some sitar and go into a slammy riff/ tremolo back and forth riff and the drums continue to switch it up and keep us on our toes. They slightly simplify it near the middle, but not for the worse, its pretty groovy and catchy, right before they pick it up to full force briefly again. This is indeed brief as they fade down to a drawn out chordy part with a really lovely lead, into an almost blackened chordy part with equally almost blackened vocals into – WOAH –  definitely a breakdown. They just morphe so many genres and totally killed it. The breakdown does do the classic ‘more dirty’ part and then they nicely flow into a prefectly head bobbing riff to end the song. They slow it ever so naturally and open fade into the last song ending perfectly.
The Nebulon Abhorrency” begins a lot sooner than the others. The open fade soon brings some synth and eerie screams. They make us know some change is coming and begin the high paced and catchy verses. There is some sick melodic double picking riffage going on! I absolutely love it. This song seems to have the most notable synth though it is in every song. This one has almost synth leads at times. After one synth lead part over a cool riff we have a sweet groove! They then slowly let it breath with more synth and then totally melt our faces with fast technical ridding and powerful in your face vocals. The drums have some wicked blasts and are coming at a good pace with the blasts and thrash beats. There is also some really killer guitar fills in that section. They then slow it down to a more doomy vibe once more before the end. Fast double kick and powerful slow riffing which fades into synth that takes us to a close.

Godeater has made a strong impact with these three songs. They are catchy and well structured and have enjoyable production. I can tell there is room to grow but I have no quarrels with this EP whatsoever.

For fans of Fallujah, Bleak Flesh, The Odious Construct, TETHYS, Vale of Pnath

9.3/10 \m/

LINKS:

CLICK THEM \m/
https://www.facebook.com/godeateruk
https://godeateruk.bandcamp.com/album/outerstellar  

 

 -Brett /,,/(°o°)/,,/
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Apotheon- Mechanically Consumed-E.P. Review- 9.3/10 \m/

Apotheon

Mechanically Consumed

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Andrew Morris – Drums
Fernando del Valle III – Guitar
Ibrahim Jimenez – Bass
Reece Deeter – Vocals

Ian Burnside – Guitars

Releases on June 22nd, 2017

 

Premonition

This song begins in an epic sounding way. This is something you put on right before you are ready to start something big, whether it be weight lifting, sparring for boxing or another martial art, to just getting yourself in an amped up mood and ready to attack all obstacles that life will throw at you. If there was going to be entrance music for someone and they wanted to be able to effortlessly project their attitude without a single word expressed. This track gets this E.P. set up very well and based on what Apotheon have delivered in the past. I can say that without a doubt the songs that follow are going to be erupting with some tasty riffs, and killer blasts.

 

Tyken’s Rift

This song is the song that will make any gamer past or future feel some connection to the music and also vivid scenery. Just wait until the one-minute mark where you will understand the last statement and then you will be immersed in a world of metal, and video game like imagery.  Now come back to the track titled Premonition, it really jives with this song. Again you get that uplifting and melodic style form the music and also creates a perception of imagery, scenery, and a different dimension or world. I feel as though Reece is hitting a lower range than on the previous songs but then again. I keep getting wrapped up in what sort of imagery you get while listening to this song and having the dialogue at the 1:09 that sounds straight out of a game.  Apotheon are taking the metal making game to some new levels as they are creating music that is not only heavy and addicting but also energizing and spawn images from words and musical notes. However as great as this song is, I know that my favorite track is about to follow.


 


 

Mechanically Consumed

This song begins quietly with a really a subtle amount of notes being played almost at random, before a stringed instrument like a cello lays down what one might expect from an old movie, a horror or thriller to be exact. But then the drums and the distortion begins and the pace of the song goes into high speed.  This song is my favorite off the E.P. in my opinion this is the heaviest track, it has the most jarring riffs, and the vocals are on point.  The hardest part for me is to narrow down what section I like the most, which part of the song gets me the most amped up and excited to listen.  The whole song has that effect on me. For example, right around the 1:43 mark the guitars and drums set up a badass section that is contagious. And it hits right before a solo, the vocals give way for the guitar solo, but only for so long before they are layered over the solo and really add to the reasons why I love it.  Now if that was it I’d say you have a solid track, but it’s not. Because right around the 2:50 mark they slow things down to an almost sideshow or circus sounding section.  Under most circumstances I would have heard this and thought “gimmicks” or “ yea why did they do that, it doesn’t even sound right with the song” but I can’t say that in this situation. It works, it sounds odd, and if they started or ended the song with it, it would have been a flop. But its smack dab in the middle of the most badass song on this E.P. and you haven’t even gotten to the second solo of the song. And this song is minutes less than the previous two tracks.  Apotheon have again packed so much into the song it’s almost unbelievable that they managed to make another killer E.P.

 

The Flesh Machine

All you need to know about this song, is that  some things should be left to mystery,  I typically will not breakdown the last song on an E.P. only because there aren’t that many songs and I want at least one song to be a little bit of a mystery. I just can’t find it in me to do that for this one. It is just too damn good.

The song begins with a subtle progression of the guitar playing a riff that’s panned from left to right while the drums are playing a jazzed up beat to go along with the guitars, while the bass is holding things down. A keyboard strikes a note at the :18 second mark and continues playing with the other instruments. leading up right at the :44 second mark Reece slices through all that buildup with a growl that sets up his next few lines perfectly.  Right around the 1:14 mark they have a section of solid riffing before the next verse. I’m beginning to have conflicting thoughts on which song I like more “Mechanically Consumed” or this one. Right at the 2:43 mark the song takes a deep dive into an uplifting and euphoric section that lasts just shy of a minute and then the vocals attack again. At what is roughly the 3:50 mark, the listener begins to become activated by the music.  Whatever you may be doing at this moment in time, whether it be driving, walking down the street, rocking out in your room, or getting your jam on at the office. This is where you lose all of your collective shit and fucking throw some haymakers, air guitar or air drums and rock the fuck out. I dare anyone who listens to this E.P. to not get ready to take on the world when this song reaches this point. As they come out of one of the most badass moments on this, Ian pulls off a whirlwind of a guitar solo. There is no better way to put it, this song wraps everything up brilliantly.

 

 

 

This E.P. is an awesome little banger to be dropping at the beginning of this summer like this. There is soooo much killer music coming out in 2017, but summertime is the time of year where I look forward to killer tunes and having speakers blasting  with the windows rolled down. This E.P. follows their 2016 E.P. titled The Acension (which gathered attention among Facebook groups following the Technical metal and deathcore scene) and then also the single Tyken’s Rift from January. Apotheon are making a name for themselves, and in a very short amount of time I might add. I am very pleased with this E.P. and has been some solid music to listen to while working on projects. While the E.P. is great I must admit, I have been listening to the advance copy, including instrumental tracks.  Whether or not the guys decide to release this with the instrumental versions or not, my recommendation would be to do it. The music is so damn good. An amalgamated blend of equal parts technical, melodic, and and heavy.  I strongly suggest anyone and everyone who is looking for something new to jam to this summer. Get yourselves over to their bandcamp page and get your copy ordered up because this drops on Friday. 9.3/10 \m/
****UPDATE****

I had to find out about the instrumental versions and I cant tell you how happy I was to hear from Fernando that they will be releasing an instrumental version of this E.P. as well.

“On streaming sites (Spotify being one of them) will have the ep + the instrumental tracks. Bandcamp will be vocal and instrumental versions sold separate.”  “Going forward we will always be offering instrumental mixes. We love the offering, and while we love our vocalist and what he brings to table, we also write this music without vocals considered! And as fans of instrumental music ourselves, it’s always cool to hear A different version of a song!”

So there you have it, there will be instrumental versions available. Now imagine how many,  videos can be made by people doing vocal or other instrument playthrough covers over the instrumental copies. I think Apotheons view on instrumental versions is a brilliant idea.  Metal fans, and metal bands, lets make that a thing shall we?

 

Check out these links for Apotheon:

Apotheon’s Website- https://apotheonband.wixsite.com/apotheon Click it, you know you want to see what happens

 

Apotheon on Facebookhttps://www.facebook.com/ApotheonBand/ Go on show them some love, and like their Facebook page

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

www.badgersmetalbreakdown.com

 

 

Tethys- Whispers Of Creation

Alright guys! The new Tethys EP “Whispers Of Creation” comes out tomorrow! Get hyped! This is some of the best tunes I have heard all year so far!

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Band line up –

Stevie Bosier – Vocals

Quinn Broderick – Guitar, Clean Vocals & Backing Screams (live)

Cory Medina – Guitar

Shea Broderick – Drums & Piano

Sev Rivera – Bass


Their songs are exciting and very upbeat. After an ominous but interesting sound clip about a supernova, ‘creation itself’, they go into an absolutely punishing series of melodic and technical riff mastery, with some killer groove throw in for good measure. The songs have an amazing flow to them as well. Some bands using groove riffing can get stale but these guys mix them with amazing and catchy technical riffing as well as excellent transitions and nice chordy parts and killer leads. Let me repeat that KILLLLER leads. With an amazing, heart piercing tone. Their grooves are catchy and not generic either. The guitars seem to weave between playing a completely different rhythm lead scheme in and out of excellent riffing with great harmonies as well and sweet grooves that can be accompanied by wicked leads as well. Both of the guitarists solo and both write some absolutely soul touching leads.

Quinn’s solos are the beautiful melodic, artsy ones and they hit RIGHT in the feels. Quinn definitely has a beautiful legato esque tapping technique that he likes to use in the middle of his solos. Fuck is it ever beautiful! Not to take away from Cory’s solos either. The dude absolutely shreds! And his solos are definitely really creative and have their totally epic moments too, the ending of his solo in “Etheral Cypher” has some killer feel, and the way they so fluently switch who is soloing mid-section, sounds amazing and flawless.

In “Progenitor Of Thought”, Quinn and Cory’s solos are separated by a brief and precise stop, powerfully welcomed into Cory’s face melting start along with a piercing scream by Stevie which compliments it perfectly, and builds up to a crazy sweet arpeggio section with a sick riff behind it too! That rhythm solo combination is so damn good! While Quinn’s solo prior to is just super melodic and perfectly written. Some killer ascending runs and arpeggios and then he blesses us with some more of that eargasmic tapping of his into a nice harmonic ending.
“Memoirs Of The Wanderor” is loaded with sweet grooves, they also give the bass the most time to shine in this song by toning down the ante in the middle section a bit. It is a nice moment for the song to breath and the music to diversify. This song also has some of the heaviest moments by far, and really cool alternating of back and forth lead playing over the grooves. Cory also gives us a super sick solo here which starts out really like a melodic lead and progresses nicely then finishing super epic with some nice slight whammy work.

“Astral Transcendence” is an amazing track. The riffs are exciting and there are lots of excellent little leads, with a beautiful tone. Quinn’s lead in Astral Transcendence, that he brings back (thankfully) later in the song, is just out of this world. He finishes the lead and goes into an incredibly catchy solo that hits in the feels hard. The second time he brings it back with a fucking amazing solo before it the second time and goes into vocals. Literally almost brought tears to my eyes. Definitely gave me fucking goose bumps. Only 2 other solos have ever done that to me, “Jealousy” by Death, my favorite solo ever and “Dedication To A Dead Cause” by Bloodshot Dawn, my second favorite solo of all time. Where does that put this sexy piece of magic? Congrats Quinn and Tethys I’m a huge fucking fanboy now. Fan for life. Like I mean really, it is soaring and just unreal feeling! One of the most epic leads I have heard in a long damn time! This goes into a really nice singing part by Quinn when the lead finishes. Oh, the beauty isn’t over, Cory comes in after with a super catchy and triumphant solo to end the EP with super strong momentum.

Sev’s bass totally adds to the punch too. At times the guitars will be harmonizing and the bass will hold down the riff or groove. It works really well. There are great moments of this in “Etheral Cypher” and “Memoirs Of The Wanderor” for sure. The bass has some nice distinct parts in “Etheral Cypher” just after a minute and a half in the song. He has really nice bass lines during the solo section. Again near the end he stands out quite a bit with the fills. At about 1:10 in “Progenitor Of Thought” they kind of soften it up for a brief bit, it flows so well and the bass has some really cool stand out parts during this section. Again after the first clean vocal section at about 2:35 they tone it down and let the bass shine.
There are other powerful moments as well as he just has a really good tone and fits the songs completely.
“Memoirs Of The Wanderor” is definitely the most stand out Bass track for sure. The whole song he just seems more distinct, and then middle section, it is loaded with cool bass lines that keep it very captivating.

This is one of my favorite vocal performances I have ever heard without a doubt. Stevie’s tone, range, delivery and articulation / enunciation of the words is beyond phenomenal. The way he matches the syllable rhythm of his words with the riffs is so excellent and clearly very well thought out. Not only that, but these lyrics are damn awesome to boot.

We enter the music of “Etheral Cypher” with a piercing scream and then he really shows what he can do for the first few verses. Sick timing, killer range and an amazing tone! He uses some really grizzly lows at times as well. The range displayed in this song is phenomenal. I love how he matches the vocal rhythms with the riffage too.
No beating around the bush. That whole song is just so deadly. Piercing highs, ridiculous enunciation. Super badass lows and a wicked range in this song. It just sounds amazing!
In “Memoirs Of The Wanderor” he uses a lot of powerful lows with wicked high accents and some cool layering. His delivery is timed perfectly with the music, especially in the groovy sections.

Quinn also offers up some excellent and fitting cleans in “Progenitor Of Thought” and “Astral Transcendence”. His vocals sound majestic and are smooth and powerful. And IN KEY! Overall they are great, they actually really add to the enjoyment of the songs, a lot.
While Stevie has some fantastic low mid vocals that are just bursting with power. He displays an amazing and tasteful use of range and tone on this EP but the vocals in “Astral Transcendence” are extremely powerful to me. The tone is just so awesome and passionate. I can feel it. But he switches the range a good amount in that song too. Some nice highs and lower lows used when needed. This guy has serious pipes. Watch the live set linked at the bottom to see for yourself. “WE ALL RETURN TO THE STARS FROM WHICH WE CAME”. Awesome.

The drums are killer. Some absolutely face-melting kick sections. The drums through the start of the album are consistently impressive and just punishing. Sweet blasting, and also good use of thrashy beats in a more tech Death setting. Killer groove and nuts kick all over. “Progenitor Of Thought” has some fairly brief but totally insane kick parts. When he isn’t melting our faces, he’s blowing our mind with creativity. He brings them back though, and also progresses with his beats a lot! “Memoirs Of The Wanderor” also has some really sweet kick patterns being used and great fills too. The performance is constantly interesting. Also some really excellent cymbal work on the album. He always keeps the flow of the songs perfect, and generally has a very upbeat and exciting pace to his playing. When it is less upbeat, he always makes it flow right. The third song “Memoirs Of The Wanderor” and the final song, “Astral Transcendence”, starts with a synth part, written by Shea I believe. In “Astral Transcendence”, it transitions smoothly into a great, kind of Thrashy section with really nice ride parts. Then into a sick groovy section. From here he generally keeps a good momentum for the majority of the song, keeping it uplifting and interesting, while going back to a deadly groovy while the sexy lead starts.

I am so excited about this EP, this band definitely has a bright future. They have the makings to be one of the best bands in all of Death Metal. Everything about them screams top quality. Their amazing tone. Their creativity and excellent songwriting. The fact that this is one of the best vocal performances I’ve ever heard. I mean, this can’t be just me? This guy is damn unreal! This band is unreal! And super sick live based on the set I watched about 10 times lol.

“I THINK; THEREFORE I AM”

For fans of Alustrium, Bleak Flesh, Vale Of Pnath, Black Crown Initiate, Equipoise

9.9/10 \m/

 

LINKS
https://www.facebook.com/Tethysband/
https://tethys1.bandcamp.com/releases
https://www.youtube.com/channel/UCHLMHOavPIUGai1UC3lN8pw

PROGENTOR OF THOUGHT LYRIC VIDEO

FULL LIVE SET (pretty qood quality)

 

-Brett /,,/(°o°)/,,/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

The Hallowed Catharsis – Solar Cremation E.P. 9.5/10 \m/

Hey metal lovers! Let’s get stoked about this fantastic mid-week release from British Columbia Groovy Prog Death Metallers The Hallowed Catharsis and their new concept EP Solar Cremation!

Continue reading The Hallowed Catharsis – Solar Cremation E.P. 9.5/10 \m/

The Finite Cycle Rithiya Henry Khiev

 

RHK

The Finite Cycle E.P.

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Out  today March 1st, 2017

Featuring:

Chris Dovas on Drums (Seven Spires)

Jeff Demarco On vocals (Solium Fatalis)

Ryan Knight- Guitar (Arsis, Black Dahlia Murder)

Nick Scarfo Guitar (The Hours End)

Dmitry Demyanenko Guitar (Shokran)

Joey Conception Guitar (Absence, Armageddon)

Jim Gregory (Solium Fatalis) and Charles Ayala (owner of the Wreck Room) on lyrical content

This is the solo project by guitarist RHK. This is also his debut E.P. as a solo artist. He has amazing talent that has has graced listeners ears over the years whether it was in Mortis Deveia, Alterius, or simply demonstrating or reviewing guitar amps, pedals and others on his YouTube chanel. He is an endorsed artist by Airis Effects, Xvive, and is the founder/owner of RHK studios. He has shared the stage with many bands and notable musicians like Within The Ruins, Shadows Fall,  Misery Index, Lord Dying, The Human Abstract, Die Cast, God forbid, Arsis, 1349 and even when Angel Vivaldi did his first mini tour as a solo artist. Since the last time we heard him on a recording was with Alterius from their E.P. “Voyager” it has been a pleasure to hear his music again only a few short years later with a solid E.P. as this one is. With guest musicians like Ryan Knight, Dmitri Demyanenko, Jim Gregory, and Alterius band mate Nick Scarfo. The first track is “Industrial Demise” a heavy track with plenty of Djent feel, and is a killer song with copious amounts of shred. The guitar work between RHK and R. Knight is an impressive instrumental track. It has so much flavor in that track right away. This E.P. is saturated with talent right from the beginning. The following song veers towards a slightly darker blend of metal. Not exactly what you were expecting after that first track. The title track features vocals by Jeff Demarco from Solium Fatalis giving the music a darker and more abrasive edge to it. It helps to hear Rithiya’s guitar skills against vocals of a different style than his other bands/ projects. It also allows people who may have not heard Alterius or Mortis Deveia to grasp the talent,  that he can play to different styles and still end up sounding great. Maelstrom of War follows up the title track quite nicely. But the track that has gotten the most play from me has been Voyager II which is the follow up to Alterius’ E.P. with the title track.  while that one had vocals this one is an instrumental track. it certainly shows how far Rithiya has gone with his guitar abilities. This track also features Alterius band mate Nick Scarfo and  the two of them pull of an amazing job with this track. right at the :39 second mark you experience one of the most infectious riffs of the year. They just build and build on this song, it is bursting at the seams with talent. Because this is a five track E.P. I don’t want to give up too many details, but its worth mentioning that Rithiya has immense talent when it comes to music, the guests he landed on this E.P. are also very much impressive. This E.P. is killer and you need to check it out. 8/10 \m/

 

 

 

You can order this E.P. by going to the RHK store if you click HERE

Find it on Amazon by clicking HERE \m/

Or grab it on Google Play by clicking here \m/

 

You can also click here to go to his FACEBOOK artist page and there are links below for some of the other artists featured on this E.P.

 

Follow Chris on:
Facebook: https://www.facebook.com/chris.dovas
Facebook: https://www.facebook.com/sevenspiresband/

Follow Nick on:
Facebook: https://www.facebook.com/thehoursendofficial/
Instagram: https://www.instagram.com/nscarfo83/
SoundCloud: https://soundcloud.com/nscarfo83

Follow Ryan Knight on:

https://www.facebook.com/ryanknightguitar/

Follow  Joey Conception on:

 

https://www.facebook.com/JoeyConcepcionGuitarist/

 

Follow Dmitry Demyanenko on:

https://www.facebook.com/Sh0kran/

 

 

 

-Badger \m/

Visit our FACEBOOK page \m/_(><)_\m/
http://www.badgersmetalbreakdown.com

 

 

Samskaras- Asunder E.P. review 7.5/10 \m/

Samskaras

Asunder

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Released January 20, 2017

Samskaras is:
Eric Burnet – Vocals, guitars, bass.
Alexandre Dupras – Drums.

 

 

Track list

  • Fuelscape
  • Solar
  • Separate
  • Conqueror

 

Samskaras kick this E.P. off with a track like “Fuelscape” and at first, it sounds like a typical modern death metal act.  Its dark and heavy, I can’t put my finger on it but the vocals have a few different styles to them.  And I am not 100% sure that Eric is handling all vocals duties.  But the vocals from “Fuelscape” don’t sound exactly like them on the track “Separate”. They really grab your attention around the 1:20 mark of “Fuelscape” when you hear the line “see how easy it is, to destroy a planet.” The song takes on a ferocious and dark turn, the blast beats consume you and that riff hooks you. The accents on the bell of the ride during the blast beats adds some spice to it. But then they come out and have clean vocals layered and they sound like something you would get from BTBAM.  Not clean vocals in the sense that they are trying to get on the bandwagon of clean vocals.  But they aren’t growling, and they aren’t bad either. I like them.  I really dig “Fuelscape” so I was eager to hear more off this E.P. Solar begins like a song you would get from Animals as leaders, more melodic  for at least the first thirty seconds and then they get ready to crush you again in short time.  If you have never heard of Alexandre Dupras before, or heard him play. Well than this E.P. should be enough to get you familiarized with him.  The drums are on point for the entire E.P. they just mesh with the guitar tones well.  These two guys have a lot of talent. But having them together on this project, they are a force to be reckoned with. I have to admit the vocals on “Separate” had me thinking a few times that the vocals sound just like D. Randall Blythe from Lamb Of God, while the rest of the music going on is so much darker and heavier. Check it out on “Separate” when you get to the 1:10 mark there are similarities. But it’s the 1:43 mark that I really get this vibe.  They have a really great balance of melodic to technical guitar work. Alexander’s drums are superb they sound awesome and he has gotten my attention for his talents. I know this is a 4 track E.P. but it comes with a “Name Your Price” option. The production is great, the music is awesome, and some of those riffs just get you instantly hooked and ready to throw some fists. it is worth mentioning that this E.P. was mixed and mastered by Chris Donaldson from The Grid so you know it sounds great.There is virtually no fluff as far as I am concerned, the clean vocals have a purpose and it’s not to show off their soothing voices.  So don’t get hung up on the clean vocals until you hear them for yourself.  I’ve been listening to this E.P. a lot personally and I dig it 7.5/10 \m/

 

 

 

If you like what you hear, then go on. It’s a name your own price. Throw the guys some money and get some kick ass metal. Click HERE to go to their BANDCAMP page and get your copy

 

 

Want to stay up to date with Samskaras news, well then go give them a “Like” on FACEBOOK

 

-Badger \m/

 

Visit our FACEBOOK page \m/_(><)_\m/

http://www.badgersmetalbreakdown.com

 

 

 

 

 

 

Parius- Let There Be Light E.P. 8/10 \m/

Parius

Let There Be Light E.P.

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Out today January 17, 2017

Louis Thierry // Vocals
Ryan Rauch // Guitar
George Fenton // Guitar
Kenny Rentz // Bass

 

Parius are at it again this time with a brilliant four track E.P. featuring Ryan Knight of Black Dahlia Murder fame, and Michael Keene from The Faceless. So without getting too carried away from those guest spots let’s check this E.P. out.  First off this E.P. drops today so it’s available on Parius’s Bandcamp page .

 

 

  • Let There Be Light (Feat. Ryan Knight)

The song begins with a slow melodic acoustic guitar melody being played alongside a violin played by Michaela Nachtigall. They rock that melodic introduction for just shy of forty seconds before they come in fast and hard. Now I want to point one thing out that they didn’t have on their last album. And that comes around the 1:20 mark in the form of mildly clean vocals.  I mean they aren’t your normal caliber of clean vocals, they are layered and it sounds like are more than just Louis doing vocals at this point. I actually like them, it’s not like they are trying to get the points for clean vocals here.  They aren’t trying to sound like All That Remains with Phil’s over the top use of clean vocals. No they are orchestrated in a way that gives the song another element altogether. Not to mention they do it again a few times throughout the song and I can’t shake the fact that I really enjoy those clean sections.  I am digging the drums on this track, and let’s not forget the solo at the 3:07 mark that is a short and sweet shredding solo that fits the Ryan Knight format.  If this is how they kick off the E.P. with a solid track like this one. Than I am eager to listen to the rest.

 

  • A Shade Darker Than Black

A quick 1.2.3.4 and then some growling vocals kick this song off, while the vocals are being carried out the guitars are ripping it up the riffs with ferocity.  It’s like they took the intensity level of the previous track, and then decided they were going to make something heavier. Because this track has gone to a darker area of bar raising. I’m a big fan on Louis’s vocals, there is literally no weak point in them. For all his ranges it’s like he gives it to you 100% all or nothing, and I find his vocal style to be quite enjoyable. The guitar work on this song is impressive, but then again so are the drums. I know they parted ways with Ian, so I am not sure if he is who plays on this E.P. whether one of the guys played, or the drums are programmed its hard to tell, but at any rate the drums sound awesome.

 

  • A Somber Dream

I am really digging how this song starts off with a piano playing, a melody, and  just that piano opener is catchy,  but then when the drums join in so does the bass. This is a very visual interlude and fits the title perfectly. This is more or less a nice instrumental track that ties things together before the final song seals the fate of this killer E.P.

 

  • Another Kind Of Reckoning ( Feat Michael Keene)

I’m not going to tell you how this song is, because I really want you to check this band out and have a listen for yourself. It’s only a four track E.P. and the sound is all there. It doesn’t sound like something that was recorded in a warehouse basement, no this is the product of a group putting everything they could into self-releasing an E.P. just over a year after releasing their debut full length. I remembered hearing their debut album Saturnine and wondering why I hadn’t heard these guys before, and wondering if they would be touring. But the fact is they have been self-promoting and self-releasing everything they have been doing. Which many bands do also, but to get a sound like this, in just over a year, really only 14 months to putting out an E.P. with a few guest spots and sounds so professional. It leads me to believe that this group of guys here are really ready to be making a name for themselves. They are ready to show the world who they are and what they are all about. Picking up this E.P. would be in your best interest because I have a great reason to believe they could be putting out another or at least more music this year. Yup that’s right Parius didn’t record this and decide to take time off.  They are already back at the grindstone getting music written and moving forward to deliver another E.P. in the near future. now I don’t have anything more to tell you on an if and when, but I know they really enjoyed putting this E.P. together and have the drive to make some killer metal invade our airwaves sooner than later. I am very pleased with this E.P. they have a unique style and sound. They deliver some intense technical melodic death metal with ease.  I really enjoy this E.P.  And was surprised to see Ryan Knight and Michael Keene involved in this E.P. I think it goes to show I am not the only one who finds them to be a band worth investing some time in to.  Check out Let There Be Light 8/10 \m/

 

 

GO grab your copy of this E.P. by clicking HERE to go to their BANDCAMP PAGE

 

 

Don’t forget to show them some love on their FACEBOOK page, give them a like and invite some of your metal friends to like the page also.

 

 

 

 

 

-Badger \m/

 

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